LEADER 02994nam 2200673Ia 450 001 9910458340003321 005 20200520144314.0 010 $a1-281-14690-0 010 $a9786611146900 010 $a0-19-151744-5 010 $a1-4294-9852-8 035 $a(CKB)1000000000400259 035 $a(EBL)415310 035 $a(OCoLC)476241622 035 $a(SSID)ssj0000155950 035 $a(PQKBManifestationID)11148948 035 $a(PQKBTitleCode)TC0000155950 035 $a(PQKBWorkID)10114918 035 $a(PQKB)10191800 035 $a(SSID)ssj0000789053 035 $a(PQKBManifestationID)12351369 035 $a(PQKBTitleCode)TC0000789053 035 $a(PQKBWorkID)10725633 035 $a(PQKB)10297032 035 $a(MiAaPQ)EBC415310 035 $a(PPN)225410214 035 $a(Au-PeEL)EBL415310 035 $a(CaPaEBR)ebr10183334 035 $a(CaONFJC)MIL114690 035 $a(EXLCZ)991000000000400259 100 $a20070227d2007 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFleeing Hitler$b[electronic resource] $eFrance, 1940 /$fHanna Diamond 210 $aOxford ;$aNew York $cOxford University Press$d2007 215 $a1 online resource (272 p.) 300 $aDescription based upon print version of record. 311 $a0-19-953259-1 311 $a0-19-280618-1 320 $aIncludes bibliographical references (p. [220]-245) and index. 327 $aContents; List of Maps; List of Illustrations; The Refugees; Paris, June 1940; PART I: EXODUS; 1. The Invasion of Paris; 2. On the Road; PART II: REACTIONS TO DEFEAT; 3. Death of the Third Republic; 4. The People's Decisions; PART III: HOME OR EXILE; 5. Summer?Autumn 1940; 6. Back to 'Normal'?; Afterword: Forgetting and Remembering the Exodus; Notes; Further Reading; Acknowledgements; Index; 330 $aThe first ever account of how the fall of France to the Germans in 1940 affected the lives of ordinary French people. Using eyewitness accounts, Hanna Diamond tells a story of mass exodus, defeat, humiliation, and occupation - opening the way for the triumph of the Vichy regime under Marshal P--eacute--;tain. - ;Wednesday 12th June 1940. The Times reported 'thousands upon thousands of Parisians leaving the capital by every possible means, preferring to abandon home and property rather than risk even temporary Nazi domination'. As Hitler's victorious armies approached Paris, the French government 606 $aWorld War, 1939-1945$xRefugees$zFrance 606 $aWorld War, 1939-1945$xCampaigns$zFrance 608 $aElectronic books. 615 0$aWorld War, 1939-1945$xRefugees 615 0$aWorld War, 1939-1945$xCampaigns 676 $a940.53/44 700 $aDiamond$b Hanna$f1962-$0282594 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910458340003321 996 $aFleeing Hitler$92078248 997 $aUNINA LEADER 03319nam 2200613Ia 450 001 9910783362203321 005 20230421042403.0 010 $a0-19-772928-2 010 $a1-280-45099-1 010 $a0-19-535743-4 010 $a1-60256-031-5 035 $a(CKB)1000000000028762 035 $a(EBL)1591191 035 $a(OCoLC)908078653 035 $a(SSID)ssj0000257528 035 $a(PQKBManifestationID)11220005 035 $a(PQKBTitleCode)TC0000257528 035 $a(PQKBWorkID)10246674 035 $a(PQKB)10690416 035 $a(Au-PeEL)EBL1591191 035 $a(CaPaEBR)ebr10086896 035 $a(CaONFJC)MIL45099 035 $a(MiAaPQ)EBC1591191 035 $a(EXLCZ)991000000000028762 100 $a19951212d1995 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aText and act$b[electronic resource] $eessays on music and performance /$fRichard Taruskin 210 $aNew York $cOxford University Press$d1995 215 $a1 online resource (391 p.) 300 $aDescription based upon print version of record. 311 $a0-19-509437-9 311 $a0-19-509458-1 320 $aIncludes bibliographical references and index. 327 $aContents; Author's Note; INTRODUCTION; Last Thoughts First; IN THEORY; 1. On Letting the Music Speak for Itself; 2. The Limits of Authenticity: A Contribution; 3. Down with the Fence; 4. The Pastness of the Present and the Presence of the Past; 5. What-or Where-Is the Original?; 6. The Modern Sound of Early Music; 7. Tradition and Authority; IN PRACTICE; Beethoven; 8. The New Antiquity; 9. Resisting the Ninth; Mozart; 10. An Icon for Our Time; 11. A Mozart Wholly Ours; 12. Old (New) Instruments, New (Old) Tempos; Bach; 13. Backslide or Harbinger?; 14. Facing up, Finally, to Bach's Dark Vision 327 $a15. The Crooked Straight and the Rough Places PlainAntiquarian Innocence; 16. Report from Lincoln Center: The International Josquin Festival-Conference, 21-25 June 1971; 17. The Price of Literacy, or, Why We Need Musicology; 18. High, Sweet, and Loud; 19. Text and Act; Full Circle; 20. Stravinsky Lite (Even ""The Rite""); Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z 330 $aOver the last dozen years, the writings of Richard Taruskin have transformed the debate about ""early music"" and ""authenticity."" Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical ve 606 $aPerformance practice (Music) 606 $aStyle, Musical 615 0$aPerformance practice (Music) 615 0$aStyle, Musical. 676 $a781.4/3 676 $a781.43 700 $aTaruskin$b Richard$0607112 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783362203321 996 $aText and act$93846924 997 $aUNINA