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101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aModal subjectivities$b[electronic resource] $eself-fashioning in the Italian madrigal /$fSusan McClary
210   $aBerkeley $cUniversity of California Press$dc2004
215   $a1 online resource (388 p.)
300   $aDescription based upon print version of record.
311 0 $a0-520-31425-5 
311 0 $a0-520-23493-6 
320   $aIncludes bibliographical references and index.
327   $aNight and deceit : Verdelot's Machiavelli -- The desiring subject, or subject to desire : Arcadelt -- Radical inwardness : Willaert's Musica nova -- The prisonhouse of mode : Cipriano de Rore -- The Coney Island of the madrigal : Wert and Marenzio -- The luxury of solipsism : Gesualdo -- The Mirtillo/Amarilli controversy : Monteverdi -- I modi.
330   $aIn this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520's through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself-the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.
606   $aMadrigals, Italian$zItaly$y16th century$xAnalysis, appreciation
606   $aMusical form$xHistory$y16th century
606   $aMusic theory$xHistory$y16th century
606   $aMusic and language
610   $aaesthetics.
610   $aaffect.
610   $aamarilli.
610   $aarchadelt.
610   $achoral music.
610   $achurch music.
610   $acipriano de rore.
610   $aensemble music.
610   $agender.
610   $agesualdo.
610   $aguarini.
610   $ahistory.
610   $ahuman subjectivity.
610   $aidentity.
610   $ainteriority.
610   $aitalian culture.
610   $aitaly.
610   $amachiavelli.
610   $amadrigals.
610   $amarenzio.
610   $amichelangelo.
610   $amirtillo.
610   $amonteverdi.
610   $amusic history.
610   $amusic theory.
610   $amusic.
610   $amusica nova.
610   $amusical form.
610   $amusical grammar.
610   $amusical modes.
610   $amusicology.
610   $anonfiction.
610   $arenaissance.
610   $asalome.
610   $aself fashioning.
610   $aself.
610   $asexuality.
610   $asocial history.
610   $astrauss.
610   $averdelot.
610   $awert.
610   $awillaert.
610   $azarlino.
615  0$aMadrigals, Italian$xAnalysis, appreciation.
615  0$aMusical form$xHistory
615  0$aMusic theory$xHistory
615  0$aMusic and language.
676   $a782.4/3/0945
700   $aMcClary$b Susan$01005722
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910783317203321
996   $aModal subjectivities$92312888
997   $aUNINA