LEADER 00743nam0-22002651i-450- 001 990001253770403321 035 $a000125377 035 $aFED01000125377 035 $a(Aleph)000125377FED01 035 $a000125377 100 $a20000920d1909----km-y0itay50------ba 101 0 $aeng 200 1 $aFunktionentafeln$fder Jahnke and Emde 210 $aBerlin$cVerlag Von B.G. Teubner$d1909 225 1 $aMathematisch-physikalische schriften f u r ingenieure und studierende 300 $avol 5 ? 700 1$aJahnke,$bEugen$028698 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001253770403321 952 $a14-A-17$b1477$fMA1 959 $aMA1 996 $aFunktionentafeln$9380647 997 $aUNINA DB $aING01 LEADER 04241nam 22009974a 450 001 9910783316603321 005 20230207223618.0 010 $a1-282-35817-0 010 $a0-520-93894-1 010 $a1-4237-2758-4 010 $a9786612358173 010 $a1-59875-785-7 024 7 $a10.1525/9780520938946 035 $a(CKB)1000000000030738 035 $a(EBL)239229 035 $a(OCoLC)475950407 035 $a(SSID)ssj0000236060 035 $a(PQKBManifestationID)11176301 035 $a(PQKBTitleCode)TC0000236060 035 $a(PQKBWorkID)10165144 035 $a(PQKB)10114469 035 $a(MiAaPQ)EBC239229 035 $a(OCoLC)61730530 035 $a(MdBmJHUP)muse30986 035 $a(DE-B1597)518651 035 $a(DE-B1597)9780520938946 035 $a(Au-PeEL)EBL239229 035 $a(CaPaEBR)ebr10088445 035 $a(CaONFJC)MIL235817 035 $a(EXLCZ)991000000000030738 100 $a20050307d2005 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRepeating ourselves$b[electronic resource] $eAmerican minimal music as cultural practice /$fRobert Fink 210 $aBerkeley $cUniversity of California Press$dc2005 215 $a1 online resource (297 p.) 300 $aDescription based upon print version of record. 311 $a0-520-24550-4 311 $a0-520-24036-7 320 $aIncludes bibliographical references and index. 327 $aThe culture of eros : repetition as desire creation -- Do it ('til you're satisfied) : repetitive musics and recombinant desires -- "A colorful installment in the twentieth-century drama of consumer subjectivity" : minimalism and the phenomenology of consumer desire -- The media sublime : minimalism, advertising, and television -- The culture of Thanatos : repetition as mood regulation -- "A pox on Manfredini" : the long-playing record, the baroque revival, and the birth of ambient music -- "I did this exercise 100,000 times" : zen, minimalism, and the Suzuki method. 330 $aWhere did musical minimalism come from-and what does it mean? In this significant revisionist account of minimalist music, Robert Fink connects repetitive music to the postwar evolution of an American mass consumer society. Abandoning the ingrained formalism of minimalist aesthetics, Repeating Ourselves considers the cultural significance of American repetitive music exemplified by composers such as Terry Riley, Steve Reich, and Philip Glass. Fink juxtaposes repetitive minimal music with 1970's disco; assesses it in relation to the selling structure of mass-media advertising campaigns; traces it back to the innovations in hi-fi technology that turned baroque concertos into ambient "easy listening"; and appraises its meditative kinship to the spiritual path of musical mastery offered by Japan's Suzuki Method of Talent Education. 606 $aMinimal music$xHistory and criticism 606 $aMusic$xSocial aspects 610 $aadvertising campaigns. 610 $aamerica. 610 $aamerican music. 610 $aconsumer society. 610 $acultural practices. 610 $adisco. 610 $aeasy listening. 610 $ahi fi technology. 610 $amass consumerism. 610 $amass media. 610 $aminimal music. 610 $aminimalism. 610 $aminimalist aesthetics. 610 $amusic and culture. 610 $amusic historians. 610 $amusic studies. 610 $amusical minimalism. 610 $amusicians. 610 $amusicology. 610 $anonfiction. 610 $aphilip glass. 610 $apopular music studies. 610 $apostwar america. 610 $arepetitive music. 610 $arevisionist account. 610 $asteve reich. 610 $aterry riley. 610 $aunited states. 615 0$aMinimal music$xHistory and criticism. 615 0$aMusic$xSocial aspects. 676 $a781.3 700 $aFink$b Robert$0214856 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910783316603321 996 $aRepeating ourselves$93678662 997 $aUNINA