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101 0 $aeng
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181   $ctxt
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183   $acr
200 10$aNo place like home$b[electronic resource] $elocations of Heimat in German cinema /$fJohannes von Moltke
210   $aBerkeley $cUniversity of California Press$d2005
215   $a1 online resource (319 p.)
225 1 $aWeimar and now ;$v36
300   $aDescription based upon print version of record.
311   $a0-520-24411-7 
311   $a0-520-24410-9 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$tIntroduction --$tPart I. Roots --$tPart II. Routes --$tPart III. Retrospects --$tNotes --$tBibliography --$tIndex
330   $aThis is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that "there is no place like home" since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950's, a period that has been little studied. Questions of what it could possibly mean to call the German nation "home" after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.
410  0$aWeimar and now ;$v36.
606   $aHeimatfilme$xHistory and criticism
606   $aMotion pictures$zGermany$xHistory
615  0$aHeimatfilme$xHistory and criticism.
615  0$aMotion pictures$xHistory.
676   $a791.43/6552
686   $aAP 50300$2rvk
700   $aVon Moltke$b Johannes$f1966-$0923450
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910783312303321
996   $aNo place like home$92372278
997   $aUNINA