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200 00$aBritish cinema of the 1950s$b[electronic resource] $ea celebration /$fedited by Ian MacKillop and Neil Sinyard
210   $aManchester ;$aNew York $cManchester University Press ;$aNew York $cDistributed exclusively in the U.S.A. by Palgrave$d2003
215   $a1 online resource (236 pages) $cdigital, PDF file(s)
300   $aDescription based upon print version of record.
311   $a0-7190-6488-0 
320   $aIncludes bibliographical references and index.
327   $aAcknowledgements --A 1950's timeline --Celebrating British cinema of the 1950's --Critics --Mirroring England --Painfully squalid? - Adaptability --Personal views --Index.
330   $aOffers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British film history. Covers a variety of genres, such as B-movies, war films, women's pictures and theatrical adaptations; as well as social issues which affect film-making, such as censorship. Includes fresh assessment of maverick directors; Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic Raymond Durgnat. Features personal insights from those individually implicated in 1950's cinema; Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the BFI on archiving and preservation. Presents a provocative challenge to conventional wisdom about 1950's film and rediscovers the Festival of Britain decade.
606   $aMotion pictures$zGreat Britain$xHistory
615  0$aMotion pictures$xHistory.
676   $a791.43/0941/09045
701   $aMacKillop$b I. D$g(Ian Duncan)$01004462
701   $aSinyard$b Neil$0800980
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996   $aBritish cinema of the 1950s$92307407
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