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100   $a20180331d1999      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aWorlds in common? $etelevision discourse in a changing Europe /$fKay Richardson and Ulrike H. Meinhof
210  1$aLondon ;$aNew York :$cRoutledge,$d1999.
215   $a1 online resource (210 p.)
300   $aDescription based upon print version of record.
311   $a0-415-14060-9 
311   $a0-415-14061-7 
320   $aIncludes bibliographical references (p. [182]-188) and index.
327   $aPreliminaries; Contents; Acknowledgements; Introduction; 1 Regularity and change in 24 hour news; 2 Timeliness textual form and the beef crisis story; 3 Liveness as synchronicity and liveness as aesthetic; 4 Constructing Europe; 5 Narrowcasting; 6 Spatial relations and sociability; 7 Bad television; 8 European high culture arts discourse in the new regime; Worlds in common Conclusions; Notes; References; Index; 
330   $aTelevision discourse in the late 1990's has undergone significant changes. This book examines the newly emerging forms of communication on television, by focusing in particular on the British and German viewing experiences.
606   $aTelevision broadcasting$zEurope
606   $aTelevision$xSemiotics
606   $aCable television$zEurope
606   $aDirect broadcast satellite television$zEurope
615  0$aTelevision broadcasting
615  0$aTelevision$xSemiotics.
615  0$aCable television
615  0$aDirect broadcast satellite television
676   $a302.2345094
700   $aRichardson$b Kay$f1955,$01533167
701   $aMeinhof$b Ulrike Hanna$01533168
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910783177103321
996   $aWorlds in common$93779876
997   $aUNINA