LEADER 03405nam 22006972 450 001 9910783124803321 005 20151005020622.0 010 $a0-511-09961-4 010 $a1-107-13247-9 010 $a1-280-41847-8 010 $a0-511-17961-8 010 $a1-139-14775-7 010 $a0-511-06433-0 010 $a0-511-05800-4 010 $a0-511-30655-5 010 $a0-511-61525-6 010 $a0-511-07279-1 024 7 $a2027/heb07635 035 $a(CKB)1000000000018069 035 $a(EBL)218137 035 $a(OCoLC)63180636 035 $a(SSID)ssj0000154835 035 $a(PQKBManifestationID)11156739 035 $a(PQKBTitleCode)TC0000154835 035 $a(PQKBWorkID)10438113 035 $a(PQKB)11634507 035 $a(UkCbUP)CR9780511615252 035 $a(Au-PeEL)EBL218137 035 $a(CaPaEBR)ebr10070344 035 $a(CaONFJC)MIL41847 035 $a(MiAaPQ)EBC218137 035 $a(dli)HEB07635 035 $a(MiU)MIU01000000000000007432748 035 $a(EXLCZ)991000000000018069 100 $a20141103d2002|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe films of Woody Allen /$fSam B. Girgus$b[electronic resource] 205 $aSecond edition. 210 1$aCambridge :$cCambridge University Press,$d2002. 215 $a1 online resource (xii, 200 pages) $cdigital, PDF file(s) 225 1 $aCambridge film classics 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-00929-4 311 $a0-521-81091-4 320 $aIncludes bibliographical references (p. 193-195) and index. 320 $aFilmography: p. 175-191. 327 $aCover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction to the Second Edition; 1 Reconstruction and Revision in Woody Allen's Films; 2 Desire and Narrativity in Annie Hall; 3 Manhattan; 4 The Purple Rose of Cairo; 5 Hannah and Her Sisters; 6 The Eyes of God; Conclusion to the Second Edition; Filmography; Selected Bibliography; Index 330 $aThe Films of Woody Allen was the first full-length work to examine the director as a serious filmmaker and artist. Sam Girgus argues that Allen has consistently been on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. This revised and updated edition includes two new chapters that examine Allen's work since 1992. Girgus argues that the scandal surrounding Allen's personal life in the early 1990s has altered his image in ways that reposition moral consciousness in his work. The union between Allen's public and private selves that created a special 'aura' about him remains intact despite the director's concerted efforts to separate his private life from his screen image. Allen now assumes a postmodern moral relativism and 'sensual realism' that differs profoundly from the moral sensibility of his earlier work. 410 0$aCambridge film classics. 676 $a791.43/092 700 $aGirgus$b Sam B.$f1941-$0700141 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910783124803321 996 $aFilms of Woody Allen$92835392 997 $aUNINA