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101 0 $aeng
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181   $ctxt
182   $cc
183   $acr
200 00$aDigital visual culture$b[electronic resource] $etheory and practice /$fedited by Anna Bentkowska-Kafel, Trish Cashen and Hazel Gardiner
210   $aBristol, U.K. $cIntellect$d2009
215   $a1 online resource (130 p.)
225 1 $aComputers and the History of Art Series ;$vYearbook 2006, Volume 3
300   $aPapers in this volume drawn from two CHArt conferences.
311   $a1-84150-248-0 
327   $aFront Cover; Preliminary Pages; Contents; Contributors; Introduction; Digital Creativity; Digital Spaces; Digital Presence; Digital Archive; Back Cover
330   $aDigital creativity is boundless. Art practitioners and scholars continue to explore what technology has to offer and practice-based research is redefining their disciplines. What happens when an artist experiments with bio-scientific data and discovers something the scientists failed to notice? How do virtual telematic environments affect our relationship with the object and our understanding of identity and presence? Interactive engagement with the creative process takes precedence over the finite piece thus affecting the roles of the artist and the viewer.The experience of arts computing in 
410  0$aComputers and the history of art ;$vYearbook 2006, v. 3.
606   $aDigital art$vCongresses
606   $aVisual communication$vCongresses
615  0$aDigital art
615  0$aVisual communication
676   $a776
701   $aBentkowska-Kafel$b Anna$01469799
701   $aCashen$b Trish$01475044
701   $aGardiner$b Hazel$01475045
712 12$aTheory and Practice$f(2005 :$eLondon, England)
712 12$aFast Forward, Art History, Curation and Practice after Media$f(2006 :$eBirbeck, University of London)
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801  1$bMiAaPQ
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906   $aBOOK
912   $a9910783095703321
996   $aDigital visual culture$93758876
997   $aUNINA