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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aLooking like what you are$b[electronic resource] $esexual style, race, and lesbian identity /$fLisa Walker
210   $aNew York $cNew York University Press$dc2001
215   $a1 online resource (307 p.)
225 1 $aThe Cutting Edge: Lesbian Life and Literature Series
300   $aDescription based upon print version of record.
311   $a0-8147-9372-X 
311   $a0-8147-9371-1 
320   $aIncludes bibliographical references (p. 251-265) and index.
327   $aContents; Preface; Introduction: In/visible Differences; 1. Martyred Butches and Impossible Femmes:Radclyffe Hall and the Modern Lesbian; 2. Debutante in Harlem: Blair Niles's Strange Brother; 3. Lesbian Pulp in Black and White; 4. Strategies of Identification in Three Narratives ofFemale Development; 5. How to Recognize a Lesbian: The Cultural Politicsof Looking Like What You Are; Epilogue; Notes; Works Cited; Index; About the Author
330   $aLooks can be deceiving, and in a society where one's status and access to opportunity are largely attendant on physical appearance, the issue of how difference is constructed and interpreted, embraced or effaced, is of tremendous import. Lisa Walker examines this issue with a focus on the questions of what it means to look like a lesbian, and what it means to be a lesbian but not to look like one. She analyzes the historical production of the lesbian body as marked, and studies how lesbians have used the frequent analogy between racial difference and sexual orientation to craft, emphasize, or
410  0$aCutting edge (New York, N.Y.)
606   $aLesbians$xIdentity
606   $aLesbianism
606   $aHomosexuality
615  0$aLesbians$xIdentity.
615  0$aLesbianism.
615  0$aHomosexuality.
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