LEADER 02885nam 22005654a 450 001 9910782837903321 005 20230721005251.0 010 $a1-282-48519-9 010 $a9786612485190 010 $a1-60473-334-9 035 $a(CKB)1000000000721961 035 $a(EBL)515604 035 $a(OCoLC)317404608 035 $a(SSID)ssj0000191439 035 $a(PQKBManifestationID)11183603 035 $a(PQKBTitleCode)TC0000191439 035 $a(PQKBWorkID)10183719 035 $a(PQKB)10546081 035 $a(StDuBDS)EDZ0000206367 035 $a(MiAaPQ)EBC515604 035 $a(Au-PeEL)EBL515604 035 $a(CaPaEBR)ebr10282573 035 $a(EXLCZ)991000000000721961 100 $a20080130d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLet's make some noise$b[electronic resource] $eaxe? and the African roots of Brazilian popular music /$fClarence Bernard Henry 210 $aJackson $cUniversity Press of Mississippi$dc2008 215 $a1 online resource (247 p.) 300 $aDescription based upon print version of record. 311 $a1-60473-082-X 320 $aIncludes bibliographical references (p. 211-226) and index. 327 $aSacred/secular influences: the reinvention of West African a?se? in Brazil -- From the sacred to the secular: popularizing candomble? rhythms -- Axe? embodiment in Brazilian popular music: sacred themes, imagery, and symbols -- The sacred/secular popularity of drums and drummers -- Secular impulses: dancing to the beats of different drummers -- Say it loud! I'm Black and I'm proud: popular music and axe? embodiment in Bahian carnival/ijexa? -- Stylizing axe? as Brazilian popular music. 330 $aClarence Bernard Henry's book is a culmination of several years of field research on sacred and secular influences of a?se?, the West African Yoruba concept that spread to Brazil and throughout the African Diaspora. A?se? is imagined as power and creative energy bestowed upon human beings by ancestral spirits acting as guardians. In Brazil, the West African Yoruba concept of a?se? is known as axe? and has been reinvented, transmitted, and nurtured in Candomble?, an Afro-Brazilian religion that is practiced in Salvador, Bahia. The author examines how the concepts of axe? and Candomble? religion have been 606 $aPopular music$zBrazil$xAfrican influences 606 $aCandomble? music$xHistory and criticism 615 0$aPopular music$xAfrican influences. 615 0$aCandomble? music$xHistory and criticism. 676 $a781.64089/96981 700 $aHenry$b Clarence Bernard$01475334 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782837903321 996 $aLet's make some noise$93849581 997 $aUNINA LEADER 01857nam0 2200409 i 450 001 CFI0238491 005 20251003044136.0 010 $a8880914251 020 $aIT$b93-5843 100 $a20151002d1992 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $aMacroeconomia$eoccupazione, inflazione, tasso di cambio e contrattazione salariale$fWendy Carlin, David Soskice 210 $aBologna$cCLUEB$dİ1992$hstampa 1993 215 $aXIII, 516 p.$d24 cm 225 | $aCollana di economia generale$v8 300 $aTrad. di Tindara Addabbo, Luca Marinelli, Maurizio Tiso. 410 0$1001CFI0167682$12001 $aCollana di economia generale$v8 500 10$aMacroeconomics and the wage bargain.$3CFI0239159$9MILV041036$913442 606 $aMacroeconomia$2FIR$3CFIC000533$9E 676 $a339$9MACROECONOMIA E SOGGETTI CONNESSI$v20 676 $a339.5$9POLITICA MACROECONOMICA.$v21 700 1$aCarlin$b, Wendy$3MILV041036$4070$0122232 701 1$aSoskice$b, David$3RAVV039878$4070$0118117 790 1$aCarlin$b, Wendy J.$3TO0V151899$zCarlin, Wendy 790 1$aSoskice$b, David W.$3TO0V151900$zSoskice, David 801 3$aIT$bIT-000000$c20151002 850 $aIT-BN0095 $aIT-NA0070 901 $bNAP 01$cLT $n$ 901 $bNAP BU$c4 B $nPropedeutica. Formato cm. 20,1-28. 912 $aCFI0238491 950 0$aBiblioteca Centralizzata di Ateneo$c1 v.$d 01LT (AR) 15 B 737$e 01AR 0700157375 VMA 1 v.$fB $h20140304$i20140304$c1 v. in due copie$d 01LT (AR) 15 B 738$e 01AR 0700157385 VMA (bis 1 v. (2. copia)$fY $h20140304$i20140304 977 $a 01$a BU 996 $aMacroeconomics and the wage bargain$913442 997 $aUNISANNIO