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200 10$aLet's make some noise$b[electronic resource] $eaxe? and the African roots of Brazilian popular music /$fClarence Bernard Henry
210   $aJackson $cUniversity Press of Mississippi$dc2008
215   $a1 online resource (247 p.)
300   $aDescription based upon print version of record.
311   $a1-60473-082-X 
320   $aIncludes bibliographical references (p. 211-226) and index.
327   $aSacred/secular influences: the reinvention of West African a?se? in Brazil -- From the sacred to the secular: popularizing candomble? rhythms -- Axe? embodiment in Brazilian popular music: sacred themes, imagery, and symbols -- The sacred/secular popularity of drums and drummers -- Secular impulses: dancing to the beats of different drummers -- Say it loud! I'm Black and I'm proud: popular music and axe? embodiment in Bahian carnival/ijexa? -- Stylizing axe? as Brazilian popular music.
330   $aClarence Bernard Henry's book is a culmination of several years of field research on sacred and secular influences of a?se?, the West African Yoruba concept that spread to Brazil and throughout the African Diaspora. A?se? is imagined as power and creative energy bestowed upon human beings by ancestral spirits acting as guardians. In Brazil, the West African Yoruba concept of a?se? is known as axe? and has been reinvented, transmitted, and nurtured in Candomble?, an Afro-Brazilian religion that is practiced in Salvador, Bahia. The author examines how the concepts of axe? and Candomble? religion have been
606   $aPopular music$zBrazil$xAfrican influences
606   $aCandomble? music$xHistory and criticism
615  0$aPopular music$xAfrican influences.
615  0$aCandomble? music$xHistory and criticism.
676   $a781.64089/96981
700   $aHenry$b Clarence Bernard$01475334
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906   $aBOOK
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996   $aLet's make some noise$93849581
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