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101 0 $aeng
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181   $ctxt
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200 10$aAntithetical arts$b[electronic resource] $eon the ancient quarrel between literature and music /$fPeter Kivy
210   $aOxford $cClarendon Press ;$aOxford ;$aNew York $cOxford University Press$d2009
215   $a1 online resource (288 p.)
300   $aDescription based upon print version of record.
311   $a0-19-172129-8 
311   $a0-19-956280-6 
320   $aIncludes bibliographical references (p. [263]-267) and index.
327   $aPreface; Contents; Part I: The Founding of Formalism; 1. First the Music, and Then the Words; 2. Designs A? La Grecque; 3. Body and Soul; Part II: The Fortunes of Formalism; 4. Mood and Music; 5. Persona Non Grata; 6. Action and Agency; 7. Shostakovich's Secret?; Part III: The Fate of Formalism; 8. The Failure of Formalism and the Failure of its Foes; 9. Attention, Ritual, and the Additive Strategy; 10. Musical Morality; 11. Empty Pleasure to the Ear; Bibliography; Index;
330   $aPeter Kivy presents a fascinating critical examination of the two rival ways of understanding instrumental music. He argues against 'literary' interpretation in terms of representational or narrative content, and defends musical formalism. Along the way he discusses interpretations of a range of works in the canon of absolute music. - ;Antithetical Arts constitutes a defence of musical formalism against those who would put literary interpretations on the absolute music canon. In Part I, the historical origins of both the literary interpretation of absolute music and musical formalism are laid
606   $aMusic and literature
606   $aAbsolute music
615  0$aMusic and literature.
615  0$aAbsolute music.
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996   $aAntithetical arts$93849522
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