LEADER 01299nam0 22002773i 450 001 SUN0115511 005 20180309031831.180 010 $d0.00 100 $a20180309d1987 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 200 1 $aLa *vita economica di Napoli nel '600$eatti della Giornata di studi organizzata dal Club riformista napoletano Alessandro Panagulis, dall'Istituto italiano per gli studi filosofici e dalla Soprintendenza ai beni artistici e storici di Napoli$fG. D'Agostino, G. Muto, E. De Simone 210 $aNapoli$cTempi moderni$d1987 215 $a52 p.$d20 cm. 620 $dNapoli$3SUNL000005 700 1$aD'Agostino$b, Guido$3SUNV017837$0245103 701 1$aDe Simone$b, Ennio$3SUNV046064$068078 701 1$aMuto$b, Giovanni$3SUNV051896$0539495 712 $aTempi moderni$3SUNV002339$4650 801 $aIT$bSOL$c20181109$gRICA 912 $aSUN0115511 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI SCIENZE POLITICHE JEAN MONNET$d04 CONS VI.A.a.350 $e04 OMA1685 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI SCIENZE POLITICHE JEAN MONNET$gOMA$h1685$kCONS VI.A.a.350$op$qa 996 $aVita economica di Napoli nel '600$91523727 997 $aUNICAMPANIA LEADER 02834nam 2200601Ia 450 001 9910782831403321 005 20231016131151.0 010 $a1-282-05345-0 010 $a9786612053450 010 $a0-19-156806-6 035 $a(CKB)1000000000745427 035 $a(EBL)431005 035 $a(OCoLC)326883695 035 $a(SSID)ssj0000085384 035 $a(PQKBManifestationID)11125811 035 $a(PQKBTitleCode)TC0000085384 035 $a(PQKBWorkID)10010350 035 $a(PQKB)10387442 035 $a(StDuBDS)EDZ0000075162 035 $a(MiAaPQ)EBC431005 035 $a(Au-PeEL)EBL431005 035 $a(CaPaEBR)ebr10288404 035 $a(CaONFJC)MIL205345 035 $a(EXLCZ)991000000000745427 100 $a20081106d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAntithetical arts$b[electronic resource] $eon the ancient quarrel between literature and music /$fPeter Kivy 210 $aOxford $cClarendon Press ;$aOxford ;$aNew York $cOxford University Press$d2009 215 $a1 online resource (288 p.) 300 $aDescription based upon print version of record. 311 $a0-19-172129-8 311 $a0-19-956280-6 320 $aIncludes bibliographical references (p. [263]-267) and index. 327 $aPreface; Contents; Part I: The Founding of Formalism; 1. First the Music, and Then the Words; 2. Designs A? La Grecque; 3. Body and Soul; Part II: The Fortunes of Formalism; 4. Mood and Music; 5. Persona Non Grata; 6. Action and Agency; 7. Shostakovich's Secret?; Part III: The Fate of Formalism; 8. The Failure of Formalism and the Failure of its Foes; 9. Attention, Ritual, and the Additive Strategy; 10. Musical Morality; 11. Empty Pleasure to the Ear; Bibliography; Index; 330 $aPeter Kivy presents a fascinating critical examination of the two rival ways of understanding instrumental music. He argues against 'literary' interpretation in terms of representational or narrative content, and defends musical formalism. Along the way he discusses interpretations of a range of works in the canon of absolute music. - ;Antithetical Arts constitutes a defence of musical formalism against those who would put literary interpretations on the absolute music canon. In Part I, the historical origins of both the literary interpretation of absolute music and musical formalism are laid 606 $aMusic and literature 606 $aAbsolute music 615 0$aMusic and literature. 615 0$aAbsolute music. 676 $a780.08 676 $a781.17 700 $aKivy$b Peter$0598495 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782831403321 996 $aAntithetical arts$93849522 997 $aUNINA