LEADER 01156nam--2200349---450- 001 990002090210203316 005 20100819091957.0 035 $a000209021 035 $aUSA01000209021 035 $a(ALEPH)000209021USA01 035 $a000209021 100 $a20041019d1976----km-y0itay0103----ba 101 0 $aita 102 $aIT 105 $a||||||||001yy 200 1 $a<> ordini e i collegi professionali nel diritto pubblico$fAlessandro Catelani 210 $aMilano$cGiuffrè$d1976 215 $a272 p.$d24 cm 225 2 $aUniversità di Firenze, Pubblicazioni di giurisprudenza$v20 410 0$12001$aUniversità di Firenze, Pubblicazioni di giurisprudenza$v20 454 1$12001 461 1$1001-------$12001 700 1$aCATELANI,$bAlessandro$0231093 801 0$aIT$bsalbc$gISBD 912 $a990002090210203316 951 $aXXX.A. Coll. 4/ 15 (X 7 II 20)$b44502 G.$cXXX.A. Coll. 4/ 15 (X 7 II)$d00287006 959 $aBK 969 $aGIU 979 $aSIAV3$b10$c20041019$lUSA01$h0930 979 $aRSIAV4$b90$c20100819$lUSA01$h0919 996 $aOrdini e i collegi professionali nel diritto pubblico$9636663 997 $aUNISA LEADER 03332nam 2200613Ia 450 001 9910782728703321 005 20230918165730.0 010 $a1-282-85487-9 010 $a9786612854873 010 $a0-7735-6697-X 024 7 $a10.1515/9780773566972 035 $a(CKB)1000000000713606 035 $a(SSID)ssj0000280606 035 $a(PQKBManifestationID)11219302 035 $a(PQKBTitleCode)TC0000280606 035 $a(PQKBWorkID)10290577 035 $a(PQKB)11730159 035 $a(CaPaEBR)400645 035 $a(Au-PeEL)EBL3331116 035 $a(CaPaEBR)ebr10141788 035 $a(CaONFJC)MIL285487 035 $a(OCoLC)929121425 035 $a(VaAlCD)20.500.12592/sjrpqj 035 $a(schport)gibson_crkn/2009-12-01/1/400645 035 $a(MiAaPQ)EBC3331116 035 $a(DE-B1597)655203 035 $a(DE-B1597)9780773566972 035 $a(MiAaPQ)EBC3245391 035 $a(EXLCZ)991000000000713606 100 $a19971126h19981998 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aImages of Goethe through Schiller's Egmont /$fDavid G. John 210 1$aMontreal :$cMcGill-Queen's University Press,$d1998. 210 4$a©1998 215 $a1 online resource (x, 326 pages) $cillustrations 311 0 $a0-7735-1681-6 320 $aIncludes bibliographical references and index. 327 $tFront Matter --$tContents --$tAcknowledgments --$tIntroduction --$tEgmont as Text: Scholarly Documentation --$tEgmont Ein Trauerspiel in dreÿ Aufzügen --$tFrom Text to Performance --$tReflections of the Text in Performance --$tText and Image --$tActing 1: Image on Stage --$tActing 2: The Director's Image --$tActing 3: Image in Society --$tGoethe and Egmont Today: Stage and Screen --$tConclusion --$tNotes --$tWorks Cited --$tIndex 330 $aJohn argues that shifting the focus from the text to the efficacy of performance requires broadening our concept of performance beyond what occurs on stage and its critical reception to include the daily life of the society that provides its context. It follows from this semiotic approach that there can be no fixed text or understanding of Egmont or of Goethe himself - only multiple images. John's exploration of image includes literary motifs, acting, staging, and social role playing, with particular reference to Goethe's development as an artist and cultural icon. In addition to presenting a comprehensive analysis of the play and a discussion of Egmont's reception from its first appearance to the present (including productions on both stage and screen), John provides an in-depth performance analysis based on the theories of Alter, Burns, Carson, Fischer-Lichte, Goffman, Pavis, and Schechner. The book includes the complete Mannheim manuscript (M372), critically edited and published as a performance text for the first time. 606 $aGerman literature$xHistory and criticism 615 0$aGerman literature$xHistory and criticism. 676 $a832/.6 700 $aJohn$b David Gethin$f1947-$01522693 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782728703321 996 $aImages of Goethe through Schiller's Egmont$93791451 997 $aUNINA