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135   $aur|||||||nn|n
181   $ctxt
182   $cc
183   $acr
200 14$aThe imprint of the picturesque on nineteenth-century British fiction$b[electronic resource] /$fAlexander M. Ross
210   $aWaterloo, Ont., Canada $cWilfrid Laurier University Press$dc1986
215   $a1 online resource (220 p.)
300   $aIncludes index.
311   $a0-88920-191-9 
320   $aIncludes bibliography and index.
327   $aContents; List of Illustrations; Sources and Abbreviations; Preface; 1. A Backward Glance; 2. Theory to Practice; 3. Waverley and the ""Scotch Novels""; 4. Charlotte Bronte; 5. Charles Dickens; 6. George Eliot; 7. Thomas Hardy; 8. The Inheritance; Bibliography; Index
330   $aAlexander M. Ross's book is a monograph in the best sense of the word: a short book on a single theme by a devoted expert. In recent years, with the increasing number of interdisciplinary ventures designed to break down the self-imposed barriers between specialist disciplines, there have been several studies of the relation of individual novelists - Eliot, Hardy, James - to the visual arts. But there have been few more general inquiries into the interconnections between fiction and painting. Ross has made good this deficiency in one important area. He has taken the cult of the picturesque,
606   $aEnglish fiction$y19th century$xHistory and criticism
606   $aPicturesque, The, in literature
615  0$aEnglish fiction$xHistory and criticism.
615  0$aPicturesque, The, in literature.
676   $a800
700   $aRoss$b Alexander M$0710297
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910782718403321
996   $aImprint of the picturesque on nineteenth century british fiction$91339493
997   $aUNINA