LEADER 03428nam 2200625Ia 450 001 9910782711003321 005 20231206203558.0 010 $a0-7735-6106-4 024 7 $a10.1515/9780773561069 035 $a(CKB)1000000000713737 035 $a(SSID)ssj0000282986 035 $a(PQKBManifestationID)11244930 035 $a(PQKBTitleCode)TC0000282986 035 $a(PQKBWorkID)10323746 035 $a(PQKB)11767659 035 $a(CaPaEBR)400781 035 $a(Au-PeEL)EBL3330907 035 $a(CaPaEBR)ebr10141578 035 $a(OCoLC)929121189 035 $a(DE-B1597)656682 035 $a(DE-B1597)9780773561069 035 $a(VaAlCD)20.500.12592/czxqsz 035 $a(schport)gibson_crkn/2009-12-01/1/400781 035 $a(MiAaPQ)EBC3330907 035 $a(MiAaPQ)EBC3245267 035 $a(EXLCZ)991000000000713737 100 $a19870812d1987 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPopular music in England, 1840-1914$b[electronic resource] $ea social history /$fDave Russell 210 $aManchester $cManchester University Press$dc1987 215 $axv, 303 p., [12] p. of plates $cill., facsims., 1 port 225 1 $aMusic and society 300 $aIncludes index. 311 $a0-7735-0541-5 320 $aIncludes bibliography and index. 327 $tFront Matter -- $tContents -- $tIllustrations -- $tPreface -- $tAcknowledgments -- $tIntroduction: music and society -- $tControl: music and the battle for the working-class mind -- $tMusic and morals, 1840-1880 -- $tMusic and morals, 1880-1914 -- $tCapitalism: entrepreneurs and popular music -- $tThe popular music industry -- $tThe music-hall and its music -- $tSocial and political comment in music-hall song -- $tPatriotism, jingoism and imperialism -- $tCommunity: the music of ?the people? -- $tThe emergence of a popular tradition -- $tBrass bands -- $tChoral societies -- $tMusic and social change -- $tConclusions and epilogue -- $tWorking-class composers -- $tNotes -- $tBibliography -- $tIndex 330 $aRussell's discussion reflects the broad categories of popular music activity during this period. His first section describes the musical activity generated by moral crusaders, philanthropists, educationalists, and reformers who sought to use music as a method of instilling habits of mind and body in the English working classes. The second studies the musical forms developed by entrepreneurs, particularly in the music halls. The third section focuses on the music and musical institutions produced by the community, illustrating the popular capacity for making as well as enjoying music. Perhaps most important, in this first thorough social history of popular music Russell shows how ideas and experiences gained through various forms of popular musical activity influenced popular political life. 410 0$aMusic and society. 606 $aPopular music$zEngland$xHistory and criticism 606 $aMusic$zEngland$xHistory and criticism 615 0$aPopular music$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 676 $a780/.42/0942 700 $aRussell$b Dave$01484586 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782711003321 996 $aPopular music in England, 1840-1914$93703301 997 $aUNINA