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100   $a19980205d1998      uy             0
101 0 $aeng
135   $aur|||||||nn|n
181   $ctxt
182   $cc
183   $acr
200 14$aThe films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein and Charles Olson$b[electronic resource] /$fR. Bruce Elder
210   $aWaterloo, Ont. $cWilfrid Laurier University Press$d1998
215   $a1 online resource (585 p.)
300   $a"Stan Brakhage filmography"-- P. 545-553.
311   $a0-88920-275-3 
320   $aIncludes bibliographical references and index.
327   $aFour for America: Williams, Pound, Stein, Brakhage -- The Conception of the Body in Open Form Poetics and Its Influence on Stan Brakhage's Filmmaking -- Glossary.
330   $aSince the late 1950's Stan Brakhage has been in the forefront of independent filmmaking. His body of work, some seventy hours, is one of the largest of any filmmaker in the history of cinema, and one of the most diverse. Probably the most widely quoted experimental filmmaker in history, his films typify the independent cinema.  Until now, despite well-deserved acclaim, there has been no comprehensive study of Brakhage's oeuvre. The Films of Stan Brakhage in the American Tradition fills this void. R. Bruce Elder delineates the aesthetic parallels between Brakhage's films and a broad spectrum of American art from the 1920's through the 1960's.  This book is certain to stir the passions of those interested in artistic critique and interpretation in its broadest terms.
606   $aMotion pictures$vBiography
615  0$aMotion pictures
676   $a791.43
676   $a791.430233092
700   $aElder$b Bruce$g(R. Bruce)$01083217
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910782710603321
996   $aThe films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein and Charles Olson$93703297
997   $aUNINA