LEADER 03262nam 2200649Ia 450 001 9910782708103321 005 20231206205039.0 010 $a1-282-85405-4 010 $a9786612854057 010 $a0-7735-6613-9 024 7 $a10.1515/9780773566132 035 $a(CKB)1000000000713799 035 $a(SSID)ssj0000280221 035 $a(PQKBManifestationID)11195708 035 $a(PQKBTitleCode)TC0000280221 035 $a(PQKBWorkID)10268359 035 $a(PQKB)10403132 035 $a(CaPaEBR)400836 035 $a(CaBNvSL)slc00200063 035 $a(Au-PeEL)EBL3330844 035 $a(CaPaEBR)ebr10141514 035 $a(CaONFJC)MIL285405 035 $a(OCoLC)929121099 035 $a(VaAlCD)20.500.12592/3zfccs 035 $a(schport)gibson_crkn/2009-12-01/1/400836 035 $a(MiAaPQ)EBC3330844 035 $a(DE-B1597)657316 035 $a(DE-B1597)9780773566132 035 $a(MiAaPQ)EBC3244645 035 $a(EXLCZ)991000000000713799 100 $a19970825d1996 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHenri Bergson and British modernism$b[electronic resource] /$fMary Ann Gillies 210 $aMontre?al ;$aBuffalo $cMcGill-Queen's University Press$dc1996 215 $a212 p. ;$d24 cm 300 $aRevision of author's thesis (Ph. D.). 311 $a0-7735-1427-9 320 $aIncludes bibliographical references and index. 327 $tFront Matter -- $tContents -- $tAcknowledgments -- $tAbbreviations -- $tIntroduction -- $tHenri Bergson: Antecedents, Philosophy, and Context -- $tBergson and British Culture -- $tCharting Bergson's Theories of a Modernist Aesthetics -- $tT.S. Eliot: The Poet -- $tVirginia Woolf: Bergsonian Experiments in Representation and Consciousness -- $tJames Joyce: Fiction as the Flux of Experience -- $tDorothy Richardson: The Subjective Experience of Time -- $tJoseph Conrad: Bergsonian Ideas of Memory and Comedy -- $tConclusion -- $tNotes -- $tSelected Bibliography -- $tIndex 330 $aFocusing on the work of T.E. Hulme, the Men of 1914, the Bloomsbury Group, T.S. Eliot, and John Middleton Murry, Gillies convincingly demonstrates that Bergson's theories underlie the literary aesthetics of the period that forms the intellectual basis of modern literature. She then turns her critical eye to five major modernist writers - T.S. Eliot, Virginia Woolf, James Joyce, Dorothy Richardson, and Joseph Conrad - and provides insightful and detailed Bergsonian readings of their major works. Drawing on material not previously available, Gillies persuasively argues that Bergson was a major intellectual force in British literature during the first thirty years of the twentieth century. 606 $aEnglish literature$y20th century$xHistory and criticism 606 $aModernism (Literature)$zGreat Britain 615 0$aEnglish literature$xHistory and criticism. 615 0$aModernism (Literature) 676 $a820.9/112 700 $aGillies$b Mary Ann$f1959-$01480720 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782708103321 996 $aHenri Bergson and British modernism$93697448 997 $aUNINA