LEADER 02104nam 2200505Ia 450 001 9910782661303321 005 20230721004631.0 010 $a0-7914-7767-3 010 $a1-4356-9546-1 035 $a(CKB)1000000000706020 035 $a(OCoLC)299174304 035 $a(CaPaEBR)ebrary10575902 035 $a(SSID)ssj0000157842 035 $a(PQKBManifestationID)11163988 035 $a(PQKBTitleCode)TC0000157842 035 $a(PQKBWorkID)10139552 035 $a(PQKB)11046326 035 $a(MiAaPQ)EBC3407476 035 $a(Au-PeEL)EBL3407476 035 $a(CaPaEBR)ebr10575902 035 $a(EXLCZ)991000000000706020 100 $a20071221d2008 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFrameworks for Mallarm$b[electronic resource] $ethe photo and the graphic of an interdisciplinary aesthetic /$fGayle Zachmann 210 $aAlbany $cState University of New York Press$dc2008 215 $a1 online resource (226 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7914-7593-X 320 $aIncludes bibliographical references (p. 189-202) and index. 327 $aFrames of reference I: Une exquise crise, fondamentale -- Frame of reference II: Le futur vers se de?gage -- Frames of consciousness in "Igitur": Devant le papier l'artiste se fait -- Framed works and Mallarme?: the steadfast gaze of a vision restored to its simplest perfection -- Frame Works for Mallarme?: Dans l'oubli ferme? par le cadre se fixe, De scintillations -- Interartistic frameworks: Employez des comparaisons prises a? tous les arts, mais la poe?sie les re?sume -- Coda: exposing change: Quotidian frameworks and developing movements. 606 $aAesthetics, French$y19th century 615 0$aAesthetics, French 676 $a841/.8 700 $aZachmann$b Gayle$f1964-$01561712 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782661303321 996 $aFrameworks for Mallarm$93828698 997 $aUNINA