LEADER 04045nam 2200709Ia 450 001 9910782602803321 005 20200520144314.0 010 $a9786612033599 010 $a1-282-03359-X 010 $a1-78034-736-7 010 $a0-8135-4654-0 024 7 $a10.36019/9780813546544 035 $a(CKB)1000000000716200 035 $a(EBL)420824 035 $a(OCoLC)437107867 035 $a(SSID)ssj0000101955 035 $a(PQKBManifestationID)11116683 035 $a(PQKBTitleCode)TC0000101955 035 $a(PQKBWorkID)10043770 035 $a(PQKB)11300899 035 $a(OCoLC)318672341 035 $a(MdBmJHUP)muse8008 035 $a(DE-B1597)530356 035 $a(DE-B1597)9780813546544 035 $a(Au-PeEL)EBL420824 035 $a(CaPaEBR)ebr10281504 035 $a(CaONFJC)MIL203359 035 $a(MiAaPQ)EBC420824 035 $a(dli)HEB08003 035 $a(MiU)KOHA0000000000000000002748 035 $a(EXLCZ)991000000000716200 100 $a20080410d2009 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAmerican cinema of the 1910s$b[electronic resource] $ethemes and variations /$fedited by Charlie Keil and Ben Singer 210 $aNew Brunswick, N.J. $cRutgers University Press$dc2009 215 $a1 online resource (297 pages) 225 1 $aScreen decades 300 $aDescription based upon print version of record. 311 $a0-8135-4445-9 311 $a0-8135-4444-0 320 $aIncludes bibliographical references (p. 253-260) and index. 327 $tFront matter --$tCONTENTS --$tAcknowledgments --$tTimeline: The 1910's --$tIntroduction: Movies and the 1910's /$rSinger, Ben / Keil, Charlie --$t1910: Movies, Reform, and New Women /$rSimmon, Scott --$t1911: Movies and the Stability of the Institution /$rBowser, Eileen --$t1912: Movies, Innovative Nostalgia, and Real-Life Threats /$rAbel, Richard --$t1913: Movies and the Beginning of a New Era /$rKeil, Charlie --$t1914: Movies and Cultural Hierarchy /$rKing, Rob --$t1915: Movies and the State of the Union /$rGrieveson, Lee --$t1916: Movies and the Ambiguities of Progressivism /$rStamp, Shelley --$t1917: Movies and Practical Patriotism /$rDeBauche, Leslie Midkiffe --$t1918: Movies, Propaganda, and Entertainment /$rLatham, James --$t1919: Movies and Righteous Americanism /$rSinger, Ben --$tSources for Films --$tWorks Cited and Consulted --$tContributors --$tIndex 330 $aIt was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910's explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies. 410 0$aScreen decades. 606 $aMotion pictures$zUnited States$xHistory 606 $aMotion pictures$zUnited States$xPlots, themes, etc 615 0$aMotion pictures$xHistory. 615 0$aMotion pictures$xPlots, themes, etc. 676 $a791.430973 701 $aKeil$b Charlie$0778202 701 $aSinger$b Ben$0777988 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782602803321 996 $aAmerican cinema of the 1910s$93692545 997 $aUNINA