LEADER 01048cam a2200241I 4500 001 991002680089707536 008 070723s19211921fr 001 0 eng d 035 $ab13563804-39ule_inst 040 $aDip.to Beni Culturali$bita 100 1 $aReinach, Adolphe,$d1887-1914$0207156 245 10$aRecueil Milliet;$btextes grecs et latins relatifs a l'histoire de la peinture ancienne, pub.,$ctr. et commentés sous le patronage de l'Association des ètudes Grecques, par Adolphe Reinach ... Avant-propos par S. Reinach ... 260 $aParis :$bC. Klincksieck,$c1921- 300 $a1. v.;$c25 cm. 600 10$aMilliet, Paul,$d1844-1918 650 4$aPittura$xStoria 650 4$aPittura antica 700 1 $aReinach, Salomon,$d1858-1932 907 $a.b13563804$b09-03-22$c23-07-07 912 $a991002680089707536 945 $aLE001 AR I 209 8°$g1$i2001000163299$lle001$nDono$og$pE20.00$q-$rl$s- $t0$u0$v0$w0$x0$y.i14520795$z23-07-07 996 $aRecueil Milliet$91218389 997 $aUNISALENTO 998 $ale001$b23-07-07$cm$da $e-$f $gfr $h0$i0 LEADER 03302nam 22007573u 450 001 9910782579603321 005 20230721032335.0 010 $a1-383-00674-1 010 $a1-281-34645-4 010 $a0-19-154164-8 035 $a(CKB)1000000000555408 035 $a(EBL)422833 035 $a(OCoLC)476259902 035 $a(SSID)ssj0000357380 035 $a(PQKBManifestationID)12133526 035 $a(PQKBTitleCode)TC0000357380 035 $a(PQKBWorkID)10352631 035 $a(PQKB)10762797 035 $a(SSID)ssj0000114969 035 $a(PQKBManifestationID)11117268 035 $a(PQKBTitleCode)TC0000114969 035 $a(PQKBWorkID)10137802 035 $a(PQKB)11460098 035 $a(Au-PeEL)EBL4963801 035 $a(CaONFJC)MIL134645 035 $a(OCoLC)1027156349 035 $a(MiAaPQ)EBC422833 035 $a(EXLCZ)991000000000555408 100 $a20130418d2007|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBritish Cinema of the 1950s$b[electronic resource] $eThe Decline of Deference 210 $aOxford $cOxford University Press, UK$d2007 215 $a1 online resource (436 p.) 300 $aDescription based upon print version of record. 311 $a0-19-815935-8 311 $a0-19-815934-X 327 $aContents; List of Tables; List of Plates; Introduction; 1. The Politics of Production Finance; 2. The Rank Organisation; 3. Ealing Studios; 4. The Associated British Picture Corporation; 5. British Lion; 6. American-British Productions; 7. Hammer Films; 8. Independent Producers; 9. Outsiders and Mavericks; 10. Visual Style; 11. Censorship; 12. The Cinema Audience Responds; Conclusion; Notes; Filmography; Bibliography; Index 330 $aIn this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Harper and Porter explore the effects of social, cultural, and economic change on the 1950s film industry in Britain, looking in particular at the impact of the rise of television, successive changes in government policy, and the. collapse of the studio system. - ;In this definitive and long-awaited history of 1950s British cinema, Sue Harper and V 606 $aMotion picture industry 606 $aMotion picture studios 606 $aMotion pictures 606 $aMotion pictures$xHistory$y20th century$zGreat Britain 606 $aMotion picture industry$xHistory$y20th century$zGreat Britain 606 $aFilm$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 615 4$aMotion picture industry. 615 4$aMotion picture studios. 615 4$aMotion pictures. 615 0$aMotion pictures$xHistory 615 0$aMotion picture industry$xHistory 615 7$aFilm 615 7$aMusic, Dance, Drama & Film 676 $a791.43094109045 700 $aHarper$b Sue$01535126 701 $aPorter$b Vincent$01531342 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910782579603321 996 $aBritish Cinema of the 1950s$93803638 997 $aUNINA