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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aLancelot, or, The knight of the cart /$fChre?tien de Troyes ; translated by Ruth Harwood Cline
210  1$aAthens [Georgia] :$cUniversity of Georgia Press,$d1990.
210  4$aŠ1990
215   $a1 online resource (xxxiv, 231 pages)
300   $aTranslation of: Chevalier de la charrette.
311 0 $a0-8203-1212-6 
320   $aIncludes bibliographical references (p. 197-231).
330   $aA verse translation of the Medieval French poem of courtly love in the world of Arthurian romance. Cline's introduction contains a description of Arthur in history and literature, a discussion of courtly love and an account of continuations of the story of Lancelot and Guinevere.
517 3 $aLancelot
517 3 $aKnight of the cart
606   $aKnights and knighthood$vPoetry
606   $aArthurian romances
615  0$aKnights and knighthood
615  0$aArthurian romances.
676   $a841/.1
700   $aChre?tien$cde Troyes,$f12th cent.$01462382
701   $aCline$b Ruth Harwood$01462383
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996   $aLancelot, or, The knight of the cart$93760750
997   $aUNINA

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200 10$aVocal tracks$b[electronic resource] $eperformance and sound media /$fJacob Smith
210   $aBerkeley $cUniversity of California Press$dc2008
215   $a1 online resource (304 p.)
300   $a"An Ahmanson book in the humanities"--P. [4] of cover.
311   $a0-520-25494-5 
311   $a0-520-25493-7 
320   $aIncludes bibliographical references (p. 271-286) and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $tPart One. Flooding Out -- $tPart Two. A Finer Grain of the Voice -- $tPart Three. Bugging the Backstage -- $tConclusion -- $tNotes -- $tBibliography -- $tIndex
330   $aThis entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and sound film. Writing in a clear and lively style, Jacob Smith looks at these media technologies and industries through the lens of performance, bringing to light a fascinating nexus of performer, technology, and audience. Combining theories of film sound, cultural histories of sound technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected performance niches to explore the development of a modern vocal performance. Vocal Tracks: Performance and Sound Media demonstrates the voice to be a vehicle of performance, identity, and culture and illustrates both the interconnection of all these categories and their relation to the media technologies of the past century.
606   $aVoice culture
606   $aVoice
610   $acinema.
610   $acultural history of sound.
610   $acultural studies.
610   $aentertainment industry.
610   $aerotic performance.
610   $afilm and television.
610   $afilm sound.
610   $afilm studies.
610   $amedia studies.
610   $amedia technology.
610   $amelodrama.
610   $amovie studies.
610   $amultimedia.
610   $amusicians.
610   $aperformance of authenticity.
610   $aphonograph.
610   $aphony performances.
610   $aprank phone calls.
610   $aradio studies.
610   $aradio.
610   $arecorded laughter.
610   $arecords.
610   $arough mix.
610   $asound film.
610   $asound industries.
610   $asound recordings.
610   $asound technologies.
610   $asound.
610   $atheory of performance.
610   $avocal performance.
610   $avocal recordings.
610   $avocal styles.
610   $avoice.
615  0$aVoice culture.
615  0$aVoice.
676   $a808.5
700   $aSmith$b Jacob$f1970-$01007260
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996   $aVocal tracks$92320189
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