LEADER 04358nam 2200433Ia 450 001 9910782486803321 005 20240102235728.0 010 $a9789027295125 (e-book) 010 $a9781588115690 (hbk.) 035 $a(MiAaPQ)EBC623227 035 $a(Au-PeEL)EBL623227 035 $a(CaPaEBR)ebr10067167 035 $a(CaONFJC)MIL216023 035 $a(OCoLC)70773185 035 $a(CKB)1000000000556026 035 $a(EXLCZ)991000000000556026 100 $a20040701d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 200 00$aTopics in audiovisual translation$b[electronic resource] /$fedited by Pilar Orero 210 $aAmsterdam ;$aPhiladelphia, PA $cJohn Benjamins$dc2004 215 $a1 online resource (xiii, 225 p.) $cill 225 1 $aBenjamins translation library,$x0929-7316 ;$vv. 56 320 $aIncludes bibliographical references and indexes. 327 $aIntroduction: Audiovisual translation: A new dynamic umbrella / Pilar Orerovii -- 1. PROFESSIONAL PERSPECTIVES -- Film dubbing: its process and translation / Xènia Martinez -- Subtitling methods and team-translation / Diana Sánchez -- 2. AVT THEORY -- In search of a theoretical framework for the study of audiovisual translation / Jorge Díaz-Cintas -- Synchronization in dubbing: A translational approach / Frederic Chaume -- Parameters for the classification of subtitles / Eduard Bartoll -- 3. IDEOLOGY AND AVT -- Translation in bilingual contexts: Different norms in dubbing translation / Rosa Agost -- Language-political implications of subtitling / Henrik Gottlieb -- 4. TEACHING AVT -- A place for film dialogue analysis in subtitling courses / Aline Remael -- Language awareness through training in subtitling / Josélia Neves -- e-AVT: A perfect match: Strategies, functions and interactions in an on-line environment for learning audiovisual translation / Miquel Amador, Carles Dorado and Pilar Orero -- 5. AVT RESEARCH -- The challenge of research in audio-visual translation / Francesca Bartrina -- Tradaptation cinématographique / Yves Gambier -- Myths about documentary translation / Eva Espasa Boras -- Closed subtitling in Brazil / Vera Lucia Santiago Araújo -- Index. 330 $aThe late twentieth-century transition from a paper-oriented to a media-oriented society has triggered the emergence of Audiovisual Translation as the most dynamic and fastest developing trend within Translation Studies. The growing interest in this area is a clear indication that this discipline is going to set the agenda for the theory, research, training and practice of translation in the twenty-first century. Even so, this remains a largely underdeveloped field and much needs to be done to put Screen Translation, Multimedia Translation or the wider implications of Audiovisual Translation on a par with other fields within Translation Studies. In this light, this collection of essays reflects not only the ?state of the art? in the research and teaching of Audiovisual Translation, but also the professionals? experiences. The different contributions cover issues ranging from reflections on professional activities, to theory, the impact of ideology on Audiovisual Translation, and the practices of teaching and researching this new and challenging discipline. In expanding further the ground covered by the John Benjamins? book (Multi)Media Translation (2001), this book seeks to provide readers with a deeper insight into some of the specific concepts, problems, aims and terminology of Audiovisual Translation, and, by this token, to make these specificities emerge from within the wider nexus of Translation Studies, Film Studies and Media Studies. In a quickly developing technical audiovisual world, Audiovisual Translation Studies is set to become the academic field that will address the complex cultural issues of a pervasively media-oriented society. 410 0$aBenjamins translation library ;$vv. 56. 606 $aDubbing of motion pictures 606 $aDubbing of television programs 615 0$aDubbing of motion pictures. 615 0$aDubbing of television programs. 676 $a778.5/2344 701 $aOrero$b Pilar$0732653 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 912 $a9910782486803321 996 $aTopics in audiovisual translation$93697061 997 $aUNINA LEADER 04294nam 22006615 450 001 9910299161603321 005 20251116203846.0 010 $a3-319-64714-8 024 7 $a10.1007/978-3-319-64714-2 035 $a(CKB)4100000007110889 035 $a(MiAaPQ)EBC5592905 035 $a(DE-He213)978-3-319-64714-2 035 $a(PPN)231463480 035 $a(EXLCZ)994100000007110889 100 $a20181031d2018 u| 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNarrating Complexity /$fedited by Richard Walsh, Susan Stepney 205 $a1st ed. 2018. 210 1$aCham :$cSpringer International Publishing :$cImprint: Springer,$d2018. 215 $a1 online resource (322 pages) $cillustrations 311 08$a3-319-64712-1 327 $aIntroduction and Overview: Who, What, Why -- Narrative Theory for Complexity Scientists -- Complex Systems for Narrative Theorists -- A Brief History of Systems Thinking -- Sense and Wonder: Complexity and the Limits of Narrative Understanding -- The Benefit of Doubt: Embracing Complexity and Uncertainty -- Simple Story of the Complex Mind? A Rhetorical Analysis of Cognitive Science Texts -- When Robots Tell Each Other Stories, or the Emergence of Artificial Fiction -- Plato with a Movie Camera: Visually Thinking of Complexity -- Augmenting Communication: Peering at Narratives and Complexity Through a Digital Arts Lens -- The Secret Life of Civilization -- Our Complex Earth -- Why Do We Trust Computer Simulations? -- Irreducible Complexity and Narrating the Endarkenment -- Gardening Complex Systems, and Other Metaphors -- Analysis of Contributions -- From Simplex to Complex Narrative: A New Model. 330 $aThis book stages a dialogue between international researchers from the broad fields of complexity science and narrative studies. It presents an edited collection of chapters on aspects of how narrative theory from the humanities may be exploited to understand, explain, describe, and communicate aspects of complex systems, such as their emergent properties, feedbacks, and downwards causation; and how ideas from complexity science can inform narrative theory, and help explain, understand, and construct new, more complex models of narrative as a cognitive faculty and as a pervasive cultural form in new and old media. The book is suitable for academics, practitioners, and professionals, and postgraduates in complex systems, narrative theory, literary and film studies, new media and game studies, and science communication. 606 $aArtificial intelligence 606 $aUser interfaces (Computer systems) 606 $aMultimedia systems 606 $aCommunication 606 $aMotion pictures and television 606 $aCreative writing 606 $aArtificial Intelligence$3https://scigraph.springernature.com/ontologies/product-market-codes/I21000 606 $aUser Interfaces and Human Computer Interaction$3https://scigraph.springernature.com/ontologies/product-market-codes/I18067 606 $aMedia Design$3https://scigraph.springernature.com/ontologies/product-market-codes/I25004 606 $aMedia Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/412000 606 $aScreen Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413000 606 $aCreative Writing$3https://scigraph.springernature.com/ontologies/product-market-codes/826000 615 0$aArtificial intelligence. 615 0$aUser interfaces (Computer systems) 615 0$aMultimedia systems. 615 0$aCommunication. 615 0$aMotion pictures and television. 615 0$aCreative writing. 615 14$aArtificial Intelligence. 615 24$aUser Interfaces and Human Computer Interaction. 615 24$aMedia Design. 615 24$aMedia Studies. 615 24$aScreen Studies. 615 24$aCreative Writing. 676 $a808.036 702 $aWalsh$b Richard$4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aStepney$b Susan$4edt$4http://id.loc.gov/vocabulary/relators/edt 906 $aBOOK 912 $a9910299161603321 996 $aNarrating Complexity$92156601 997 $aUNINA