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010   $a9786611901196
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035   $a(OCoLC)437239240
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100   $a20080722d2009      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aJane Campion$b[electronic resource] /$fDeb Verhoeven
210   $aLondon ;$aNew York $cRoutledge$d2009
215   $a1 online resource (286 p.)
225 1 $aRoutledge film guidebooks
300   $aDescription based upon print version of record.
311   $a0-415-26275-5 
311   $a0-415-26274-7 
320   $aIncludes bibliographical references (p. [240]-263) and index.
320   $aIncludes filmography: p. [220]-239.
327   $aBOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGEMENTS; INTRODUCTION Being Jane Campion in a Post-Campion World?; 1 BECOMING JANE CAMPION Modes of auteurism and the media; 2 REALIZING JANE CAMPION The industry, politics and economics of contemporary auteurism; 3 DISCIPLINING JANE CAMPION Auteurism and the knowing audience; 4 JANE CAMPION ON JANE CAMPION One more interview; CHRONOLOGY; FILMOGRAPHY; BIBLIOGRAPHIC RESOURCES; GLOSSARY; INDEX
330   $aJane Campion is one of the most celebrated auteurs of modern cinema and was the first female director to be awarded the prestigious Palme d'Or. Throughout her relatively short career, Campion has received extraordinary attention from the media and scholars alike and has provoked fierce debates on issues such as feminism, colonialism, and nationalism. In this detailed account of Jane Campion's career as a filmmaker, Deb Verhoeven examines specifically how contemporary film directors 'fashion' themselves as auteurs - through their personal interactions with the media, in their choice o
410  0$aRoutledge film guidebooks.
606   $aMotion picture producers and directors$zNew Zealand
615  0$aMotion picture producers and directors
676   $a791.4302/33092
676   $a791.430233092
700   $aVerhoeven$b Deb$01185828
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801  1$bMiAaPQ
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906   $aBOOK
912   $a9910782457303321
996   $aJane Campion$93757131
997   $aUNINA