LEADER 05392nam 2200589Ia 450 001 9910782381203321 005 20230721033023.0 010 $a94-012-0613-9 010 $a1-4356-7769-2 024 7 $a10.1163/9789401206136 035 $a(CKB)1000000000542510 035 $a(EBL)556645 035 $a(OCoLC)714567345 035 $a(SSID)ssj0000156831 035 $a(PQKBManifestationID)12036657 035 $a(PQKBTitleCode)TC0000156831 035 $a(PQKBWorkID)10130244 035 $a(PQKB)10604379 035 $a(MiAaPQ)EBC556645 035 $a(OCoLC)277005219$z(OCoLC)649903344$z(OCoLC)714567345$z(OCoLC)764536274$z(OCoLC)961522873$z(OCoLC)962566116$z(OCoLC)966205429 035 $a(nllekb)BRILL9789401206136 035 $a(Au-PeEL)EBL556645 035 $a(CaPaEBR)ebr10380399 035 $a(EXLCZ)991000000000542510 100 $a20081211d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFord Madox Ford$b[electronic resource] $eliterary networks and cultural transformations /$fedited by Andrzej Gasiorek and Daniel Moore 210 $aAmsterdam ;$aNew York, NY $cRodopi ;$a[S.l.] $cThe Ford Madox Ford Society$dc2008 215 $a1 online resource (289 p.) 225 1 $aInternational Ford Madox Ford studies,$x1569-4070 ;$vv. 7 300 $aDescription based upon print version of record. 311 $a90-420-2437-2 320 $aIncludes bibliographical references. 327 $tPreliminary Material -- $tGENERAL EDITOR?S PREFACE /$rMax Saunders -- $tTRANSITIONS, CONTINUITIES, NETWORKS, NUCLEI /$rAndrzej Gasiorek and Daniel Moore -- $t?WE WILL LISTEN TO NONE BUT SPECIALISTS?: FORD, THE RISE OF SPECIALIZATION, AND THE ENGLISH REVIEW /$rJohn Attridge -- $tPERSONALITIES OF PAPER: CHARACTERISATION IN A CALL AND THE GOOD SOLDIER /$rRob Hawkes -- $tOUTSIDERS IN ENGLAND AND THE ART OF BEING FOUND OUT /$rColm Tóibín -- $t?CONTENT TO BE SUPERSEDED??: FORD IN THE GREAT LONDON VORTEX /$rAndrzej Gasiorek -- $tTHE INSANE SUBJECT: FORD AND WYNDHAM LEWIS IN THE WAR AND POST-WAR /$rAlan Munton -- $tFORD AGAINST LEWIS AND JOYCE /$rDavid Trotter -- $tFORD AND IMPRESSIONISM /$rMax Saunders -- $tTHE ORIGINS OF INTERMODERNISM IN FORD MADOX FORD?S PARALLAX VIEW /$rNick Hubble -- $tBETWEEN IMPRESSIONISM AND MODERNISM: SOME DO NOT . . ., A POETICS OF THE ENTRE-DEUX /$rIsabelle Brasme -- $t?THIS BATTLE WAS NOT OVER?: PARADE?S END AS A TRANSITIONAL TEXT IN THE DEVELOPMENT OF ?DISENCHANTED? FIRST WORLD WAR LITERATURE /$rAndrew Frayn -- $tFORD MADOX FORD: MENTORS, DISCIPLES, AND A RING OF MAIL CONSPIRATORS /$rZinovy Zinik -- $tBY THRIFTY DESIGN: FORD?S BEQUEST AND COETZEE?S HOMAGE /$rDavid James -- $tCONTRIBUTORS -- $tABSTRACTS -- $tABBREVIATIONS -- $tInternational Ford Madox Ford Studies -- $tTHE FORD MADOX FORD SOCIETY. 330 $aThe controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford?s work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier , long considered a modernist masterpiece; and Parade?s End , which Anthony Burgess described as ?the finest novel about the First World War?; and Samuel Hynes has called ?the greatest war novel ever written by an Englishman?. In these, as in most of his books, Ford renders and analyses the crucial transformations in modern society and culture. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time. In the South-East of England at the fin-de-siècle , he collaborated for a decade with Joseph Conrad, and befriended Henry James and H. G. Wells. In Edwardian London he founded the English Review , publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the transatlantic review in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. Besides his role as contributor and enabler to various versions of Modernism, Ford was also one of its most entertaining chroniclers. This volume includes twelve new essays on Ford?s engagement with the literary networks and cultural shifts of his era, by leading experts and younger scholars of Ford and Modernism. Two of the essays are by well-known creative writers: the novelist Colm Tóibín, and the novelist and cultural commentator Zinovy Zinik. 410 0$aInternational Ford Madox Ford studies ;$vv. 7. 606 $aEnglish literature 615 0$aEnglish literature. 676 $a823.912 701 $aGa?siorek$b Andrzej$f1960-$0221051 701 $aMoore$b Daniel$0830922 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782381203321 996 $aFord Madox Ford$93710021 997 $aUNINA