LEADER 04365nam 22006251a 450 001 9910782368403321 005 20170202132551.0 010 $a1-5013-2923-5 010 $a1-84714-472-1 035 $a(CKB)1000000000541728 035 $a(EBL)435984 035 $a(OCoLC)781739342 035 $a(SSID)ssj0000082085 035 $a(PQKBManifestationID)11125384 035 $a(PQKBTitleCode)TC0000082085 035 $a(PQKBWorkID)10135136 035 $a(PQKB)10646964 035 $a(MiAaPQ)EBC435984 035 $a(Au-PeEL)EBL435984 035 $a(CaPaEBR)ebr10250829 035 $a(CaONFJC)MIL615969 035 $a(OCoLC)893333796 035 $a(UtOrBLW)bpp09260329 035 $a(EXLCZ)991000000000541728 100 $a20170209d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aContinuum encyclopedia of popular music of the world$hVolume 2$iPerformance and production$b[electronic resource] /$fedited by John Shepherd ... [et al.] 210 $aLondon ;$aNew York $cContinuum$dc2003 215 $a1 online resource (713 p.) 300 $aDescription based upon print version of record. 311 $a1-84972-360-5 311 $a0-8264-6322-3 320 $aIncludes bibliographical references and index. 327 $aContents; Introduction; Acknowledgments; List of Contributors; Abbreviations; Pitch Notation; Chords and Chordal Progressions; Arrangement of the Material; Part I: Performers and Performing; Part II: Musical Production and Transmission; Part III: Musical Instruments; Part IV: Musical Form and Practise; Index 330 $a"The Bloomsbury Encyclopedia of Popular Music of the World's five-volume work is the most authoritative reference work on the history and current practice of popular music ever published. The five volumes that form Part 2 of this multi-volume work follow on from the two volumes of Part 1: Media, Industry and Society (Volume I) and Performance and Production (Volume II). They cover over 200 nation states and are organized according to continental regions: Volume III: Caribbean and Latin America Volume IV: North America, Volume V: Asia and Oceania, Volume VI: Africa and the Middle East, and Volume VII: Europe. Each discusses the history, development and current practice of popular music in cities, districts, cross-border regions, nation states and diasporic communities around the world. Includes coverage of: "The historical, geographical, demographical, political, economic and cultural context Genres for which the location is known or which have been important to the development and current practice of its popular music. Significant venues such as theatres, dance halls, clubs and bars. The role of the industry: music publishers, record companies/labels, recording studios, radio and TV. "The role of the state and government regulatory bodies. The teaching and research of popular music in educational institutions. Songs associated with the location. Notable performers and other practitioners such as producers, engineers, technological innovators, record company heads, journalists, critics and scholars, songwriters, composers and lyricists. 250 leading popular music scholars and practitioners have contributed over 500 entries. They include Rafael Jose de Menezes Bastos on Brazil, Peter Manuel on India and the Caribbean Islands, John Collins on Ghana, Moya Aliya Malamusi on Malawi, To?ru Mitsui on Japan, Motti Regev on Israel, Martin Stokes on Turkey, Richard Peterson on Nashville, Amy Kuuleialoha Stillman on Hawaii, Bruce Johnson on Australia, Paolo Prato on Italy, Svanibor Pettan on Croatia and Alf Bjornberg on Sweden."--Bloomsbury Publishing. 517 3 $aEncyclopedia of popular music of the world 517 3 $aPopular music of the world 517 3 $aPerformance and production 606 $aPopular music genres$vEncyclopedias 606 $aPopular music$xHistory and criticism 615 0$aPopular music genres 615 0$aPopular music$xHistory and criticism. 676 $a781.63/09 676 $a781.6303 701 $aShepherd$b John$f1947-$0313351 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910782368403321 996 $aContinuum encyclopedia of popular music of the world$93768199 997 $aUNINA