LEADER 03709nam 2200661 a 450 001 9910782305703321 005 20200520144314.0 010 $a1-281-92623-X 010 $a9786611926236 010 $a90-474-1974-X 024 7 $a10.1163/ej.9789004158283.i-279 035 $a(CKB)1000000000553983 035 $a(EBL)468495 035 $a(OCoLC)505128061 035 $a(SSID)ssj0000157857 035 $a(PQKBManifestationID)11155933 035 $a(PQKBTitleCode)TC0000157857 035 $a(PQKBWorkID)10140580 035 $a(PQKB)11719073 035 $a(MiAaPQ)EBC468495 035 $a(OCoLC)133048221 035 $a(nllekb)BRILL9789047419747 035 $a(Au-PeEL)EBL468495 035 $a(CaPaEBR)ebr10270799 035 $a(CaONFJC)MIL192623 035 $a(PPN)174389876 035 $a(EXLCZ)991000000000553983 100 $a20070529d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFraming Iberia$b[electronic resource] $eMaqamat and frametale narratives in medieval Spain /$fby David A. Wacks 210 $aLeiden : Boston $cBrill$d2007 215 $a1 online resource (295 p.) 225 1 $aMedieval and early modern Iberian world,$x1569-1934 ;$vv. 33 300 $aOriginally presented as the author's thesis (Ph. D.--University of California, Berkeley, 2003). 311 $a90-04-15828-6 320 $aIncludes bibliographical references (p. 237-264) and index. 327 $tPreliminary material /$rD.A. Wacks --$tIntroduction /$rD.A. Wacks --$tChapter One. Writing across the frontier /$rD.A. Wacks --$tChapter Two. Storytelling and performance in medieval iberian frametale and Maq?ma /$rD.A. Wacks --$tChapter Three. The cultural context of the translation of Calila E Dimna /$rD.A. Wacks --$tChapter Four. Reconquest ideology and andalusï narrative practice in the Conde Lucanor /$rD.A. Wacks --$tChapter Five. The Libro de buen amor and the medieval iberian Maq?ma /$rD.A. Wacks --$tChapter Six. Social change, misogyny, and the Maq?ma in Jaume Roig?s spill /$rD.A. Wacks --$tWorks cited /$rD.A. Wacks --$tIndex /$rD.A. Wacks. 330 $aFraming Iberia is a study of medieval Iberian culture observed through the lens of the frametale, a type of story collection cultivated by medieval Iberian authors in several languages. Its best known examples outside of Iberia are Chaucer?s Canterbury Tales , Boccaccio?s Decameron , and the Thousand and One Nights . In Framing Iberia the author relocates the Castilian classics El Conde Lucanor and El Libro de buen amor within a literary tradition that includes works in Arabic, Hebrew, Latin, and Romance. In doing so, he draws on current critical theory and cultural studies in reevaluating how the multicultural society of medieval Iberia is reflected in its narrative literature. Winner of the 2009 La corónica International Book Award for scholarship in Medieval Hispanic Languages, Literatures, and Cultures. Also available in paperback ISBN 978 9004 20589 5 410 0$aMedieval and early modern Iberian world ;$vv. 33. 606 $aSpanish fiction$yTo 1500$xHistory and criticism 606 $aSpanish fiction$xArab influences 606 $aFramework stories, Spanish$xHistory and criticism 615 0$aSpanish fiction$xHistory and criticism. 615 0$aSpanish fiction$xArab influences. 615 0$aFramework stories, Spanish$xHistory and criticism. 676 $a863 700 $aWacks$b David A$01473235 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782305703321 996 $aFraming Iberia$93686303 997 $aUNINA