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(Artt. 474-840) 702 1$aPicardi,$bNicola$f<1934- > 702 1$aNicita,$bFrancesco paolo 702 1$aSassani,$bBruno 702 1$aPanzarola,$bAndrea 710 01$aItalia$0423419 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008768650403321 952 $aZZa-57/A$b14459a$fDDRC 952 $aZZa-57/B$b14459b$fDDRC 952 $aXVIII 198 (17.1)$b52704*$fFGBC 952 $aXVIII 198 (17.2)$b52704*$fFGBC 959 $aDDRC 959 $aFGBC 996 $aCodice di procedura civile$937316 997 $aUNINA LEADER 03543nam 22006612 450 001 9910452023703321 005 20151005020622.0 010 $a1-139-36568-1 010 $a1-107-22623-6 010 $a1-280-66392-8 010 $a9786613640857 010 $a1-139-37822-8 010 $a1-139-02155-9 010 $a1-139-37536-9 010 $a1-139-37679-9 010 $a1-139-37965-8 010 $a1-139-37137-1 035 $a(CKB)2550000000103577 035 $a(EBL)880653 035 $a(OCoLC)794707330 035 $a(SSID)ssj0000676920 035 $a(PQKBManifestationID)11469801 035 $a(PQKBTitleCode)TC0000676920 035 $a(PQKBWorkID)10684746 035 $a(PQKB)11022231 035 $a(UkCbUP)CR9781139021555 035 $a(MiAaPQ)EBC880653 035 $a(Au-PeEL)EBL880653 035 $a(CaPaEBR)ebr10565004 035 $a(CaONFJC)MIL364085 035 $a(EXLCZ)992550000000103577 100 $a20141103d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Cambridge introduction to the eighteenth-century novel /$fApril London$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2012. 215 $a1 online resource (vii, 250 pages) $cdigital, PDF file(s) 225 1 $aCambridge introductions to literature 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-71967-4 311 $a0-521-89535-9 320 $aIncludes bibliographical references and index. 327 $aPart I. Secrets and Singularity: 1. The power of singularity; 2. The virtue of singularity; 3. The punishment of singularity -- Part II. Sociability and Community: 4. The reformation of family; 5. Alternative communities; 6. The sociability of books -- Part III. History and Nation: 7. History, novel, and polemic; 8. Historical fiction and generational distance; Afterword: the history of the eighteenth-century novel. 330 $aIn the eighteenth century, the novel became established as a popular literary form all over Europe. Britain proved an especially fertile ground, with Defoe, Fielding, Richardson and Burney as early exponents of the novel form. The Cambridge Introduction to the Eighteenth-Century Novel considers the development of the genre in its formative period in Britain. Rather than present its history as a linear progression, April London gives an original new structure to the field, organizing it through three broad thematic clusters - identity, community and history. Within each of these themes, she explores the central tensions of eighteenth-century fiction: between secrecy and communicativeness, independence and compliance, solitude and family, cosmopolitanism and nation-building. 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No study of either ancient or contemporary Indian culture can be undertaken without a clear understanding of Hindu visual arts and their sources in religious belief and practice. Defining what is meant by religion - no such term exists in Sanskrit - and what is understood by Hindu ideals of beauty, Heather Elgood provides the best synthesis and critical study of recent scholarship on the topic. In addition, this book offers critical background information for anyone interested in the social and anthropolo 410 0$aReligion and the arts series. 606 $aHindu art$zIndia 606 $aArt, Indic$zIndia 606 $aHindu symbolism 606 $aArt patronage$zIndia 606 $aArt and religion$zIndia 615 0$aHindu art 615 0$aArt, Indic 615 0$aHindu symbolism. 615 0$aArt patronage 615 0$aArt and religion 676 $a294.5/37 700 $aElgood$b Heather$f1950-$0647501 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782264903321 996 $aHinduism and the religious arts$93680975 997 $aUNINA