LEADER 03623nam 22006012 450 001 9910782248403321 005 20170818113946.0 010 $a1-78138-688-9 010 $a1-84631-444-5 035 $a(CKB)1000000000541240 035 $a(EBL)380771 035 $a(OCoLC)476210250 035 $a(SSID)ssj0000273789 035 $a(PQKBManifestationID)11244107 035 $a(PQKBTitleCode)TC0000273789 035 $a(PQKBWorkID)10315275 035 $a(PQKB)10261793 035 $a(StDuBDS)EDZ0000127560 035 $a(MiAaPQ)EBC380771 035 $a(UkCbUP)CR9781781386880 035 $a(Au-PeEL)EBL380771 035 $a(CaPaEBR)ebr10369593 035 $a(EXLCZ)991000000000541240 100 $a20170307d2005|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWords and music /$fedited by John Williamson$b[electronic resource] 210 1$aLiverpool :$cLiverpool University Press,$d2005. 215 $a1 online resource (viii, 258 pages) $cdigital, PDF file(s) 225 1 $aLiverpool Music Symposium (Series) ;$v3 300 $aTitle from publisher's bibliographic system (viewed on 11 Aug 2017). 311 $a0-85323-619-4 320 $aIncludes bibliographical references and index. 327 $aMimesis, gesture, and parody in musical word-setting / Derek B. Scott -- Rhetoric and music : the influence of a linguistic art / Jasmin Cameron -- Eminem : difficult dialogics / David Clarke -- Artistry, expediency or irrelevance? : English choral translators and their work / Judith Blezzard -- Pyramids, symbols, and butterflies : "Nacht" from Pierrot Lunaire / John Williamson -- Music and text in Schoenberg's A survivor from Warsaw / Bhesham Sharma -- Rethinking the relationship between words and music for the twentieth century : the strange case of Erik Satie / Robert Orledge -- "Breaking up is hard to do" : issues of coherence and fragmentation in post-1950 vocal music / James Wishart -- Writing for your supper : creative work and the contexts of popular songwriting / Mike Jones. 330 $aWord and music studies is a relatively young discipline that has nonetheless generated a substantial amount of work. Recent studies in the field have embraced music in literature (word music, formal parallels to music in literature, verbal music), music and literarature (vocal music) and literature in music (programme music). Other positions have been defined in which song exists as an analysable category distinct from words and music and requiring its own grammar. Much of the literature has tended to focus on readings of the literary text, pushing theoretical and analytical concerns in music to one side, a trend that is as apparent among musicologists as among literary historians. The essays presented here from the third Liverpool Music Symposium seek accordingly to redress this situation. Contributors tackle the study of words and music from a number of standpoints, examining artists as diverse as Eminem, Patti Smith and Arnold Schoenberg. 410 0$aLiverpool Music Symposium (Series) ;$v3. 606 $aVocal music$vCongresses 606 $aMusic and literature$vCongresses 606 $aMusic in literature$vCongresses 615 0$aVocal music 615 0$aMusic and literature 615 0$aMusic in literature 676 $a782.00268 702 $aWilliamson$b John$f1949- 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910782248403321 996 $aWords and music$93692154 997 $aUNINA