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100   $a20120724d2008      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aDeleuze and the cinemas of performance$b[electronic resource] $epowers of affection /$fElena del Ri?o
210   $aEdinburgh $cEdinburgh University Press$dc2008
215   $a1 online resource (249 p.)
300   $aDescription based upon print version of record.
311   $a0-7486-3525-4 
320   $aIncludes bibliographical references (p. 218-227) and index.
327   $aCOVER; Copyright; Contents; Acknowledgments; Introduction: Cinema and the Affective-Performative; 1. Animated Fetishes; 2. Choreographies of Affect; 3. Dancing Feminisms; 4. Kinesthetic Seductions; 5. Powers of the False; Conclusion: Everything is ""Yes""; Works Cited; Index
330   $aThis book offers a unique reconsideration of the performing body that privileges the notion of affective force over the notion of visual form at the centre of former theories of spectacle and performativity. Drawing on Gilles Deleuze's philosophy of the body, and on Deleuze-Spinoza's relevant concepts of affect and expression, Elena del Ri?o examines a kind of cinema that she calls 'affective-performative'. The features of this cinema unfold via detailed and engaging discussions of the movements, gestures and speeds of the body in a variety of films by Douglas Sirk, Rainer W. Fassbinder, Sally 
606   $aHuman body in motion pictures
606   $aMotion pictures$xPhilosophy
615  0$aHuman body in motion pictures.
615  0$aMotion pictures$xPhilosophy.
676   $a791.4301
700   $aRi?o$b Elena del$01519410
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910782245803321
996   $aDeleuze and the cinemas of performance$93757493
997   $aUNINA