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200 10$aCircumscribing the prostitute$b[electronic resource] $ethe rhetorics of intertextuality, metaphor and gender in Jeremiah 3.1-4.4 /$fMary E. Shields
210   $aLondon ;$aNew York $cT&T Clark$dc2004
215   $a1 online resource (201 p.)
225 1 $aJournal for the study of the Old Testament. Supplement series ;$v387
300   $aDescription based upon print version of record.
311   $a0-8264-6999-X 
320   $aIncludes bibliographical references and indexes.
327   $aContents; Acknowledgments; Abbreviations; Introduction; Chapter 1 INTERTEXTUALITY AS ALLUSION: A FIRST READING OF JEREMIAH 3.1-5; Chapter 2 GENDER CONSTRUCTION AND INTERTEXTUALITY OF CULTURE: A SECOND READING OF JEREMIAH 3.1-5; Chapter 3 JEREMIAH 3.6-11: A NARRATIVE INTERPRETATION OF JEREMIAH 3.1-5; Chapter 4 JEREMIAH 3.12-13: THE IMPOSSIBLE MADE POSSIBLE; Chapter 5 JEREMIAH 3.14-18: A MODEL FOR THE FUTURE; Chapter 6 JEREMIAH 3.19-20: SET AMONG THE SONS-ISRAEL AS FAITHLESS DAUGHTER; Chapter 7 JEREMIAH 3.21-25: A LITURGY OF REPENTANCE; Chapter 8 JEREMIAH 4.1-4: THE REQUIREMENTS FOR RETURN
327   $aChapter 9 NEW SIGHTS FROM AN OLD SEER: RHETORICAL STRATEGIES AND JEREMIAH 3.1-4.4Bibliography; Index of References; Index of Authors
330   $aIn Jeremiah 3.1-4.4 the prophet employs the image of Israel as God's unfaithful wife, who acts like a prostitute. The entire passage is a rich and complex rhetorical tapestry designed to convince the people of Israel of the error of their political and religious ways, and their need to change before it is too late. As well as metaphor and gender, another important thread in the tapestry is intertextuality, according to which the historical, political and social contexts of both author and reader enter into dialogue and thus produce different interpretations. But, as Shields shows in her final
410  0$aJournal for the study of the Old Testament.$pSupplement series ;$v387.
606   $aRhetoric in the Bible
615  0$aRhetoric in the Bible.
676   $a224
676   $a224.206
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700   $aShields$b Mary E$01519378
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996   $aCircumscribing the prostitute$93757451
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