LEADER 01626oam 2200505zu 450 001 9910782232603321 005 20210721054655.0 010 $a1-282-16210-1 010 $a9786612162107 010 $a90-272-9767-3 035 $a(CKB)1000000000551112 035 $a(SSID)ssj0000284782 035 $a(PQKBManifestationID)11222608 035 $a(PQKBTitleCode)TC0000284782 035 $a(PQKBWorkID)10262632 035 $a(PQKB)10972492 035 $a(MiAaPQ)EBC623208 035 $a(EXLCZ)991000000000551112 100 $a20160829d2001 uy 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 00$aText Representation: Linguistic and Psycholinguistic Aspects 210 31$a[Place of publication not identified]$cJohn Benjamins Publishing Company$d2001 225 0 $aHuman cognitive processing Text representation 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-58811-077-X 311 $a90-272-2360-2 606 $aDiscourse analysis$xPsychological aspects$vCongresses 606 $aPhilology & Linguistics$2HILCC 606 $aLanguages & Literatures$2HILCC 615 0$aDiscourse analysis$xPsychological aspects 615 7$aPhilology & Linguistics 615 7$aLanguages & Literatures 676 $a401/.41 700 $aSanders$b Ted J.M$01467430 702 $aSanders$b Ted 702 $aSchilperoord$b Joost 702 $aSpooren$b Wilbert 801 0$bPQKB 906 $aBOOK 912 $a9910782232603321 996 $aText Representation: Linguistic and Psycholinguistic Aspects$93678080 997 $aUNINA LEADER 02194nam 2200565 450 001 9910787329103321 005 20230607231530.0 010 $a0-231-50311-3 035 $a(CKB)2670000000392516 035 $a(EBL)927987 035 $a(OCoLC)818857811 035 $a(SSID)ssj0001388075 035 $a(PQKBManifestationID)11764058 035 $a(PQKBTitleCode)TC0001388075 035 $a(PQKBWorkID)11383922 035 $a(PQKB)11454459 035 $a(MiAaPQ)EBC927987 035 $a(Au-PeEL)EBL927987 035 $a(CaPaEBR)ebr10976025 035 $a(CaONFJC)MIL684816 035 $a(EXLCZ)992670000000392516 100 $a20141121h20022002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMise-en-sce?ne $efilm style and interpretation /$fJohn Gibbs 210 1$aNew York :$cWallflower Press,$d2002. 210 4$dİ2002 215 $a1 online resource (196 p.) 225 1 $aShort Cuts 300 $aDescription based upon print version of record. 311 $a1-903364-06-X 320 $aIncludes bibliographical references and index. 330 $a
Mise-en-sce?ne: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-sce?ne within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.
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