LEADER 01105cam0-22003371i-450- 001 990004536020403321 005 20150330092025.0 035 $a000453602 035 $aFED01000453602 035 $a(Aleph)000453602FED01 035 $a000453602 100 $a19990604d1913----km-y0itay50------ba 101 0 $ager 102 $aDE 105 $ay-------001yy 200 1 $a<>Besetzung der Bistümer Reichsitaliens unter den Sächsichen und Salischen Kaisern mit den Listen der Bichöfe$e951-1122$fGerhard Schwartz 210 $aLeipzig$cB.G. 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American Variety and/or Foreign Features --$tEntr'acte 1. Mapping the Local Terrain of Exhibition --$tChapter 2. The "Usable Past" of Westerns --$tEntr'acte 2. Moviegoing Habits and Everyday Life --$tChapter 3. The "Usable Past" of Westerns --$tEntr'acte 3. A "Forgotten" Part of the Program --$tChapter 4. The "Usable Past" of Civil War Films --$tEntr'acte 4. Another "Forgotten" Part of the Program --$tChapter 5. The "Usable Present" of Thrillers --$tEntr'acte 5. Trash Twins --$tChapter 6. "The Power of Personality in Pictures" --$tNotes --$tBibliography --$tIndex 330 $aThis engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema-both movies and movie-going-in the early 1910's. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard Abel looks closely at sensational melodramas, including westerns (cowboy, cowboy-girl, and Indian pictures), Civil War films (especially girl-spy films), detective films, and animal pictures-all popular genres of the day that have received little critical attention. He simultaneously analyzes film distribution and exhibition practices in order to reconstruct a context for understanding moviegoing at a time when American cities were coming to grips with new groups of immigrants and women working outside the home. Drawing from a wealth of research in archive prints, the trade press, fan magazines, newspaper advertising, reviews, and syndicated columns-the latter of which highlight the importance of the emerging star system-Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community. 517 3 $aImagined community of United States cinema 606 $aMotion pictures$zUnited States$xHistory 606 $aMotion pictures$xSocial aspects$zUnited States 606 $aNationalism$zUnited States 610 $a1910s. 610 $aamerican cinema. 610 $aamerican history. 610 $aamericanizing film. 610 $aanimal films. 610 $aanthropologists. 610 $acinema studies. 610 $acivil war films. 610 $acritical analysis. 610 $adetective films. 610 $aearly cinema. 610 $afilm distribution. 610 $afilm historians. 610 $afilm industry. 610 $afilm scholars. 610 $afilm studies. 610 $aimmigrant culture. 610 $amovie audiences. 610 $amoviegoing. 610 $anational identity. 610 $anonfiction study. 610 $apopular film genres. 610 $asensational melodramas. 610 $asociologists. 610 $aunited states. 610 $awesterns. 610 $aworking class culture. 615 0$aMotion pictures$xHistory. 615 0$aMotion pictures$xSocial aspects 615 0$aNationalism 676 $a791.430973 700 $aAbel$b Richard$f1941-$0237554 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782201003321 996 $aAmericanizing the movies and "movie-mad" audiences, 1910-1914$91684991 997 $aUNINA