LEADER 03002nam 22006254a 450 001 9910782191303321 005 20200520144314.0 010 $a0-8166-1898-4 010 $a0-8166-9505-9 024 7 $a2027/heb06265 035 $a(CKB)1000000000520559 035 $a(EBL)316715 035 $a(OCoLC)191662601 035 $a(SSID)ssj0000279448 035 $a(PQKBManifestationID)11912380 035 $a(PQKBTitleCode)TC0000279448 035 $a(PQKBWorkID)10260597 035 $a(PQKB)10787290 035 $a(MdBmJHUP)muse33424 035 $a(Au-PeEL)EBL316715 035 $a(CaPaEBR)ebr10194354 035 $a(CaONFJC)MIL522773 035 $a(MiAaPQ)EBC316715 035 $a(dli)HEB06265 035 $a(MiU)MIU01000000000000012428040 035 $a(EXLCZ)991000000000520559 100 $a20020601d2002 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFeminine endings$b[electronic resource] $emusic, gender, and sexuality /$fSusan McClary ; with a new introduction 210 $aMinneapolis $cUniversity of Minnesota Press$d2002 215 $a1 online resource (242 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-4189-7 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Feminine Endings in Retrospect; 1. Introduction: A Material Girl in Bluebeard's Castle; 2. Constructions of Gender in Monteverdi's Dramatic Music; 3. Sexual Politics in Classical Music; 4. Excess and Frame: The Musical Representation of Madwomen; 5. Getting Down Off the Beanstalk: The Presence of a Woman's Voice in Janika Vandervelde's Genesis II; 6. This Is Not a Story My People Tell: Musical Time and Space According to Laurie Anderson; 7. Living to Tell: Madonna's Resurrection of the Fleshly; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U 327 $aVW; Y; Z 330 $a