LEADER 02265nam 2200577Ia 450 001 9910782190403321 005 20230421045125.0 010 $a0-8166-8527-4 035 $a(CKB)1000000000520562 035 $a(EBL)316712 035 $a(OCoLC)229431584 035 $a(SSID)ssj0000277894 035 $a(PQKBManifestationID)11192702 035 $a(PQKBTitleCode)TC0000277894 035 $a(PQKBWorkID)10241010 035 $a(PQKB)10355422 035 $a(MiAaPQ)EBC316712 035 $a(MdBmJHUP)muse38945 035 $a(Au-PeEL)EBL316712 035 $a(CaPaEBR)ebr10194375 035 $a(CaONFJC)MIL523063 035 $a(EXLCZ)991000000000520562 100 $a19921103d1993 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe cinematic body$b[electronic resource] /$fSteven Shaviro 210 $aMinneapolis $cUniversity of Minnesota Press$dc1993 215 $a1 online resource (292 p.) 225 1 $aTheory out of bounds ;$vv. 2 300 $aDescription based upon print version of record. 311 $a0-8166-2294-9 320 $aIncludes bibliographical references (p. [268]-272) and index. 327 $aContents; Preface; I: Film Theory and Visual Fascination; II: Contagious Allegories: George Romero; III: Comedies of Abjection: Jerry Lewis; IV: Bodies of Fear: David Cronenberg; V: Masculinity, Spectacle, and the Body of Querelle; VI: Warhol's Bodies; VII: A Note on Bresson; VIII: Conclusions; References; Index 330 $aMoving between Jerry Lewis and Andy Warhol, between Fassbinder's gay sex icons and George Romero's flesh-eating zombies, Shaviro radically critiques the Lacanian model currently popular in film theory and film studies, arguing against that model's obsessi 410 0$aTheory out of bounds ;$vv. 2. 606 $aMotion pictures$xAesthetics 606 $aFilm criticism$xPhilosophy 615 0$aMotion pictures$xAesthetics. 615 0$aFilm criticism$xPhilosophy. 676 $a791.43/01 700 $aShaviro$b Steven$0607681 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782190403321 996 $aCinematic body$91126437 997 $aUNINA