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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFirst person Jewish$b[electronic resource] /$fAlisa S. Lebow
210   $aMinneapolis $cUniversity of Minnesota Press$d2008
215   $a1 online resource (240 p.)
225 1 $aVisible evidence ;$vv. 22
300   $aDescription based upon print version of record.
311   $a0-8166-4355-5 
311   $a0-8166-4354-7 
320   $aIncludes bibliographical references and index.
327   $a1. Memory Once Removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- 2. Reframing the Jewish family -- 3. A treyf autocritique of autobiography  -- 4. Ambivalence and ambiguity in queer Jewish subjectivity -- Conclusion: a limit case for Jewish autoethnography.
330   $aAlisa S. Lebow examines films from Jewish artists to reveal how the postmodern impulse to turn the lens inward intersects provocatively (and at times unwittingly) with historical tropes and stereotypes of the Jew. Using a multidisciplinary approach Lebow shows how this form of self-expression is challenging both autobiography and documentary and, in the process, changing the art of cinema and recording the cultural shifts of our time.
410  0$aVisible evidence ;$vv. 22.
606   $aJews in motion pictures
606   $aJewish motion picture producers and directors
606   $aDocumentary films$xHistory and criticism
606   $aAutobiography
606   $aIdentity (Psychology) in motion pictures
606   $aStereotypes (Social psychology) in motion pictures
615  0$aJews in motion pictures.
615  0$aJewish motion picture producers and directors.
615  0$aDocumentary films$xHistory and criticism.
615  0$aAutobiography.
615  0$aIdentity (Psychology) in motion pictures.
615  0$aStereotypes (Social psychology) in motion pictures.
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