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200 10$aFitzgerald-Wilson-Hemingway$b[electronic resource] $elanguage and experience /$fRonald Berman
210   $aTuscaloosa $cUniversity of Alabama Press$dc2003
215   $a1 online resource (135 p.)
300   $aDescription based upon print version of record.
311   $a0-8173-5863-3 
311   $a0-8173-1278-1 
320   $aIncludes bibliographical references (p. 101-118) and index.
327   $aContents; Introduction; 1 The Last Romantic Critic; 2 America in Fitzgerald; 3 Edmund Wilson and Alfred North Whitehead; 4 Reality's Thickness; 5 Hemingway's Plain Language; 6 Hemingway's Limits; Notes; Index
330   $aIn this study, Ronald Berman examines the work of the critic/novelist  Edmund Wilson and the art of F. Scott Fitzgerald and Ernest Hemingway as  they wrestled with the problems of language, experience, perception and  reality in the ""age of jazz."" By focusing specifically on aesthetics -  the ways these writers translated everyday reality into language -  Berman challenges and redefines many routinely accepted ideas concerning  the legacy of these authors. Fitzgerald is generally thought of as a  romantic, but Berman shows that we need to expand the idea of  Romanticism to include it
606   $aAmerican fiction$y20th century$xHistory and criticism$xTheory, etc
606   $aCriticism$zUnited States$xHistory$y20th century
615  0$aAmerican fiction$xHistory and criticism$xTheory, etc.
615  0$aCriticism$xHistory
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