LEADER 01446nam--2200409---450- 001 990002668060203316 005 20060210134125.0 035 $a000266806 035 $aUSA01000266806 035 $a(ALEPH)000266806USA01 035 $a000266806 100 $a20051005-1999----m||y0itay0103----ba 101 0 $aita 102 $aIT 105 $ay|||z|||001yy 200 1 $aPrometeo$elibretto del ballo (1813)$fSalvatore Vigaṇ$gseguito da Lettere critiche intorno al Prometeo, Dialogo sulle unità drammatiche di luogo e tempo di Ermes Visconti e le testimonianze dai Commentarii di Carlo Ritorni$gintroduzione, edizione dei testi e commento a cura di Stefano Tommasini 210 $aTorino$cLegenda$dcopyr. 1999 215 $a217 p.$d21 cm 300 $aNum. 1 di una collez. senza tit. 606 0 $aBalletti$xRappresentazioni 606 0 $aPrometeo$xLibretto del ballo 676 $a792.84 700 1$aVIGANO',$bSalvatore$0591757 702 1$aVISCONTI,$bErmes 702 1$aRITORNI,$bCarlo 702 1$aTOMMASINI,$bStefano 801 0$aIT$2UNIMARC 912 $a990002668060203316 951 $aXIII.4. 31(VII T 344)$b179764 L.M.$cVII T$d00128738 959 $aBK 969 $aUMA 979 $aPAOLA$b90$c20051005$lUSA01$h1349 979 $aPAOLA$b90$c20051005$lUSA01$h1350 979 $aPAOLA$b90$c20051005$lUSA01$h1352 979 $aCOPAT5$b90$c20060210$lUSA01$h1341 996 $aPrometeo$91004527 997 $aUNISA LEADER 02493nam 22005654a 450 001 9910782143003321 005 20230823175012.0 010 $a0-8173-8190-2 035 $a(CKB)1000000000537496 035 $a(EBL)438124 035 $a(OCoLC)320324526 035 $a(SSID)ssj0000105294 035 $a(PQKBManifestationID)11128589 035 $a(PQKBTitleCode)TC0000105294 035 $a(PQKBWorkID)10101528 035 $a(PQKB)11619379 035 $a(MdBmJHUP)muse8616 035 $a(Au-PeEL)EBL438124 035 $a(CaPaEBR)ebr10237154 035 $a(MiAaPQ)EBC438124 035 $a(EXLCZ)991000000000537496 100 $a20020403h20022002 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aArchitectural body /$fMadeline Gins and Arakawa 210 1$aTuscaloosa :$cUniversity of Alabama Press,$d2002. 210 4$a©2002 215 $a1 online resource (xxii, 102 pages) 225 1 $aModern and contemporary poetics 311 0 $a0-8173-1168-8 311 0 $a0-8173-1169-6 320 $aIncludes bibliographical references. 327 $aContents; Preface; Introduction; 1. Organism That Persons; 2. Landing Sites; 3. Architecture as Hypothesis; 4. Architectural Surround; 5. Procedural Architecture; 6. Notes for an Architectural Body; 7. Two Architectural Procedures; 8. Critical Holder; 9. Daily Research; About the Authors 330 $aThis manifesto is a verbal articulation of the authors' visionary theory of how the human body, architecture, and creativity define and sustain one another. This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions 410 0$aModern and contemporary poetics. 606 $aArchitecture$xPhilosophy 615 0$aArchitecture$xPhilosophy. 676 $a720/.1 700 $aGins$b Madeline$01572042 701 $aArakawa$b Shu?saku$f1936-2010.$01572043 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910782143003321 996 $aArchitectural body$93846649 997 $aUNINA