LEADER 01041nam--2200373---450- 001 990003156760203316 005 20081007124014.0 035 $a000315676 035 $aUSA01000315676 035 $a(ALEPH)000315676USA01 035 $a000315676 100 $a20081007d1960----km-y0itay50------ba 101 $aeng 102 $aGB 105 $a||||||||001yy 200 1 $aSoviet economic aid$ea background book$fJoseph S. Berliner 210 $aLondon$cThe Bodley head$d1960 215 $a61 p.$d18 cm 225 2 $aBackground book 410 0$12001$aBackground book 454 1$12001 461 1$1001-------$12001 606 0 $aEconomia$yUnione sovietica 676 $a330.947 700 1$aBERLINER,$bJoseph S.$0124012 801 0$aIT$bsalbc$gISBD 912 $a990003156760203316 951 $a330.947 BER$b423 DITESI (SEZ. 5 N. 41) 959 $aBK 969 $aDITESI 979 $aDLAS$b10$c20081007$lUSA01$h1239 979 $aDLAS$b10$c20081007$lUSA01$h1240 996 $aSoviet economic aid$9637367 997 $aUNISA LEADER 03363nam 2200577Ia 450 001 9910781976503321 005 20211025162237.0 010 $a1-283-30261-6 010 $a9786613302618 010 $a0-8108-8190-X 035 $a(CKB)2550000000057143 035 $a(EBL)787880 035 $a(OCoLC)760270460 035 $a(SSID)ssj0000539843 035 $a(PQKBManifestationID)12193304 035 $a(PQKBTitleCode)TC0000539843 035 $a(PQKBWorkID)10581106 035 $a(PQKB)10382093 035 $a(MiAaPQ)EBC787880 035 $a(Au-PeEL)EBL787880 035 $a(CaPaEBR)ebr10504634 035 $a(CaONFJC)MIL330261 035 $a(EXLCZ)992550000000057143 100 $a20110606d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOut of the shadows$b[electronic resource] $eexpanding the canon of classic film noir /$fGene D. Phillips 210 $aLanham $cScarecrow Press, Inc.$dc2012 215 $a1 online resource (323 p.) 300 $aDescription based upon print version of record. 311 $a0-8108-8189-6 320 $aIncludes bibliographical references and index. 320 $aIncludes filmography. 327 $aPrologue: overlooked noir -- City of night: the advent of film noir. The black mask brigade: Dashiell Hammett, hard-boiled fiction, and film noir -- Exploring film noir: Stranger on the third floor and other films -- Nightmare town: Dashiell Hammett's fiction as film noir -- John Huston: The Maltese falcon -- Stuart Heisler: The glass key -- Edward Buzzell: Song of the thin man -- Darkness at noon: representative noir films. Fritz Lang: Ministry of fear and Scarlet Street -- Alfred Hitchcock: Spellbound and Strangers on a train -- George Cukor: A double life -- Billy Wilder: Sunset Boulevard -- Robert Siodmak: The killers (1946) -- Don Siegel: The killers (1964) -- Otto Preminger: Laura and Anatomy of a murder -- Fred Zinnemann: Act of violence -- Stanley Kubrick: The killing -- Orson Welles: The stranger and Touch of evil -- The lower depths: the rise of neo-noir. Dashiell Hammett and neo-noir: The Dain curse and Hammett -- Anthony Minghella: The talented Mr. Ripley -- Liliana Cavani: Ripley's game -- Afterword / by James Welsh. 330 $aFilm noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding. 606 $aFilm noir$xHistory and criticism 606 $aCrime films$xHistory and criticism 615 0$aFilm noir$xHistory and criticism. 615 0$aCrime films$xHistory and criticism. 676 $a791.43/655 700 $aPhillips$b Gene D$0880459 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781976503321 996 $aOut of the shadows$93719872 997 $aUNINA