LEADER 03871nam 2200673Ia 450 001 9910781905603321 005 20230912163009.0 010 $a1-282-85645-6 010 $a9786612856457 010 $a0-7735-6403-9 024 7 $a10.1515/9780773564039 035 $a(CKB)1000000000520910 035 $a(SSID)ssj0000278013 035 $a(PQKBManifestationID)11213032 035 $a(PQKBTitleCode)TC0000278013 035 $a(PQKBWorkID)10242321 035 $a(PQKB)10720555 035 $a(CaPaEBR)400547 035 $a(CaBNvSL)jme00326532 035 $a(Au-PeEL)EBL3330910 035 $a(CaPaEBR)ebr10141581 035 $a(CaONFJC)MIL285645 035 $a(OCoLC)929121192 035 $a(VaAlCD)20.500.12592/zm4w52 035 $a(schport)gibson_crkn/2009-12-01/1/400547 035 $a(MiAaPQ)EBC3330910 035 $a(DE-B1597)657803 035 $a(DE-B1597)9780773564039 035 $a(MiAaPQ)EBC3245343 035 $a(EXLCZ)991000000000520910 100 $a19910513d1985 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aColeridge and the inspired word$b[electronic resource] /$fAnthony John Harding 210 $aKingston $cMcGill-Queen's University Press$dc1985 215 $axiv, 187 p. ;$d24 cm 225 1 $aMcGill-Queen's studies in the history of ideas ;$v8 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7735-1008-7 320 $aIncludes bibliography and index. 327 $tFront Matter -- $tContents -- $tAcknowledgments -- $tAbbreviations -- $tIntroduction -- $tBeyond Mythology: Coleridge and the Legacy of the Enlightenment -- $tBeyond Nature -- $tInspiration and Freedom: The ?Letters on the Inspiration of the Scriptures? -- $tThe Broad Church, F. D. Maurice, and Coleridge?s ?Letters on the Inspiration of the Scriptures? -- $tJohn Sterling and the Universal Sense of the Divine -- $tThe Divinity in Man -- $tBibliography -- $tIndex 330 $aThis movement radically revised the interpretation of the Bible as an "inspired" book and also helped to redefine the inspiration attributed to poets, since many poets of the period, including Coleridge himself, wished to emulate the prophetic voice of biblical tradition. Coleridge's mastery of this new study and his search for a new understanding of the Bible on which to ground his faith are the focus of this book. Beginning with an exposition of Coleridge's double role as theologian and poet, Anthony Harding analyses the development and transmission of Coleridge's views of inspiration - both biblical and poetic - and provides a history of his theological and poetic ideas in their second generation, in England especially in the work of F.D. Maurice and John Sterling, and in America in that of Ralph Waldo Emerson. Harding argues that Coleridge's emphasis on the human integrity of the scriptural authors provided his contemporaries with a poetics of inspiration that seemed likely to restore to literature a "biblical" sense of the divine as a presence in the world. Coleridge's treatment of biblical inspiration is thus an important contribution to Romantic poetics as well as to biblical scholarship. His concept of inspiration is also linked directly to his literary theory and thus to the current debate over the reader's relation to text and author. 410 0$aMcGill-Queen's studies in the history of ideas ;$v8. 606 $aInspiration 606 $aChristianity and literature 615 0$aInspiration. 615 0$aChristianity and literature. 676 $a821/.7 700 $aHarding$b Anthony John$0449772 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781905603321 996 $aColeridge and the inspired word$93820310 997 $aUNINA