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100   $a20060412d2007      ub             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aPearl Harbor jazz$b[electronic resource] $echange in popular music in the early 1940s /$fPeter Townsend
205   $a1st ed.
210   $aJackson $cUniversity Press of Mississippi$d2007
215   $a1 online resource (267 p.)
300   $aDescription based upon print version of record.
311   $a1-57806-924-6 
320   $aIncludes bibliographical references (p. 239-244) and index.
327   $aSunday matinee in St. Louis -- The war -- The alley -- The road -- Disorder at the border -- The avenue -- The street -- Postscript : Black, Brown, and Beige.
330   $aThis book is a study of a crucial period in the life of American jazz and popular music. Pearl Harbor Jazz analyses the changes in the world of the professional musician brought about both by the outbreak of World War II and by long-term changes in the music business, in popular taste and in American society itself. It describes how the infrastructure of American music, the interdependent fields of recording, touring, live engagements, radio and the movies, was experiencing change in the conditions of wartime, and how this impacted upon musical styles, and hence upon the later history of
606   $aJazz$y1941-1950$xHistory and criticism
606   $aJazz$xSocial aspects$zUnited States
615  0$aJazz$xHistory and criticism.
615  0$aJazz$xSocial aspects
676   $a781.650973/09044
700   $aTownsend$b Peter$f1948-$01471235
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910781832903321
996   $aPearl Harbor jazz$93683466
997   $aUNINA