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100   $a20110912d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aProgrammed visions $esoftware and memory /$fWendy Hui Kyong Chun
210   $aCambridge, Mass. $cMIT Press$dİ2011
215   $a1 online resource (254 p.)
225 1 $aSoftware studies
300   $aDescription based upon print version of record.
311   $a0-262-01542-0 
320   $aIncludes bibliographical references and index.
327   $aCover ; Contents; Series Foreword; Preface; Introduction; You; I Invisibly Visible, Visibly Invisible; 1 On Sourcery and Source Codes; Computers that Roar; 2 Daemonic Interfaces, Empowering Obfuscations; II Regenerating Archives; 3 Order from Order, or Life According to Software; The Undead of Information; 4 Always Already There, or Software as Memory; Conclusion; Epilogue; You, Again; Notes; Index
330 8 $aWendy Hui Kyong Chun argues that cycles of obsolescence & renewal result in part from the ways in which new media encapsulates a logic of programmability. In seeking to embody a future based on past data, new media becomes a metaphor for metaphor itself.
410  0$aSoftware studies (Cambridge, Mass.)
606   $aComputer software$xDevelopment$xSocial aspects
606   $aSoftware architecture$xSocial aspects
606   $aComputer software$xHuman factors
610   $aDIGITAL HUMANITIES & NEW MEDIA/Software Studies
610   $aSOCIAL SCIENCES/Media Studies
610   $aSCIENCE, TECHNOLOGY & SOCIETY/General
615  0$aComputer software$xDevelopment$xSocial aspects.
615  0$aSoftware architecture$xSocial aspects.
615  0$aComputer software$xHuman factors.
676   $a005.1
700   $aChun$b Wendy Hui Kyong$f1969-$01094196
801  0$bOCoLC-P
801  1$bOCoLC-P
906   $aBOOK
912   $a9910781666503321
996   $aProgrammed visions$93784229
997   $aUNINA