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135   $aur|n|---|||||
181   $ctxt
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200 00$aBeyond the finite$b[electronic resource] $ethe sublime in art and science /$fedited by Roald Hoffmann and Iain Boyd Whyte
210   $aNew York $cOxford University Press$d2011
215   $a1 online resource (192 p.)
300   $aDescription based upon print version of record.
311   $a0-19-973769-X 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; Contributors; 1 The Sublime: An Introduction; 2 Affective Foundations of Creativity, Language, Music, and Mental Life: In Search of the Biology of the Soul; 3 Still Deeper: The Nonconscious Sublime;  or, The Art and Science of Submergence; 4 Pretty Sublime; 5 Against the Sublime; 6 Neuroscience and the Sublime in Art and Science; 7 Quantum Romanticism: The Aesthetics of the Sublime in David Bohm's Philosophy of Physics; 8 Disobedient Machines: Animation and Autonomy; 9 On the Sublime in Science; Index
330   $aThroughout its long history, and not just as the key aesthetic category for the Romantic Movement, the sublime has created the necessary link between aesthetic and moral judgment, offering the prospect of transcending the limits of measurement, even imagination. The best of science makes genuine claims to the sublime. For in science, as in art, every day brings the entirely new, the extreme, and the unrepresentable. How does one depict negative mass, for example, or the folding of a protein that is contagious? Can one capture emergent phenomena as they emerge? Science is continually faced with
606   $aScience$xAesthetics
606   $aSublime, The, in art
615  0$aScience$xAesthetics.
615  0$aSublime, The, in art.
676   $a500
701   $aHoffmann$b Roald$0479186
701   $aWhyte$b Iain Boyd$f1947-$0303013
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906   $aBOOK
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