LEADER 04265nam 2200649 a 450 001 9910781648403321 005 20230126202532.0 010 $a0-292-73484-0 024 7 $a10.7560/723214 035 $a(CKB)2550000000047975 035 $a(SSID)ssj0000572846 035 $a(PQKBManifestationID)12230372 035 $a(PQKBTitleCode)TC0000572846 035 $a(PQKBWorkID)10530328 035 $a(PQKB)11350561 035 $a(MiAaPQ)EBC3443555 035 $a(Au-PeEL)EBL3443555 035 $a(CaPaEBR)ebr10498090 035 $a(OCoLC)753976358 035 $a(DE-B1597)588411 035 $a(DE-B1597)9780292734845 035 $a(EXLCZ)992550000000047975 100 $a20110303d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFoxboy$b[electronic resource] $eintimacy and aesthetics in Andean stories /$fCatherine J. Allen ; with illustrations by Julia Meyerson 210 $aAustin $cUniversity of Texas Press$dc2011 215 $axii, 279 p. $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-72321-0 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $tacknowledgments -- $tFRINGE -- $tBEGINNING -- $tCHAPTER ONE A MARRIED COUPLE -- $tCHAPTER TWO A FOX! -- $tCHAPTER THREE INNER THREADS -- $tCHAPTER FOUR STRANGE SPOUSES -- $tCHAPTER FIVE LISTENING TO NUMBERS -- $tCHAPTER SIX ?CHAYRÍ?? ?AND THEN?? -- $tCHAPTER SEVEN AT THE BASE OF A BOULDER -- $tCHAPTER EIGHT HOUSE OF DAMNED SOULS -- $tCHAPTER NINE CANNIBAL LOVER -- $tCHAPTER TEN MAMACHA -- $tCHAPTER ELEVEN INSIDE OUT -- $tRETURNING -- $tFRINGE And that?s about it -- $tAPPENDIX A ?KUNDURMANTA? ?About Condor? -- $tAPPENDIX B ?UKUKUMANTA? ?About Bear? -- $tAPPENDIX C ?CH?ASKA WARMI? ?Star-wife? -- $tAPPENDIX D ?HUALLASMANTA? ?About the Huallas? -- $tAPPENDIX E GUIDE TO PRONUNCIATION AND GLOSSARY -- $tNOTES -- $tBIBLIOGRAPHY -- $tSTORY INDEX -- $tSUBJECT INDEX 330 $aOnce there was a Quechua folktale. It begins with a trickster fox's penis with a will of its own and ends with a daughter returning to parents who cannot recognize her until she recounts the uncanny adventures that have befallen her since she ran away from home. Following the strange twists and turnings of this tale, Catherine J. Allen weaves a narrative of Quechua storytelling and story listening that links these arts to others?fabric weaving, in particular?and thereby illuminates enduring Andean strategies for communicating deeply felt cultural values. In this masterful work of literary nonfiction, Allen draws out the connections between two prominent markers of ethnic identity in Andean nations?indigenous language and woven cloth?and makes a convincing case that the connection between language and cloth affects virtually all aspects of expressive culture, including the performing arts. As she explores how a skilled storyteller interweaves traditional tales and stock characters into new stories, just as a skilled weaver combines traditional motifs and colors into new patterns, she demonstrates how Andean storytelling and weaving both embody the same kinds of relationships, the same ideas about how opposites should meet up with each other. By identifying these pervasive patterns, Allen opens up the Quechua cultural world that unites story tellers and listeners, as listeners hear echoes and traces of other stories, layering over each other in a kind of aural palimpsest. 606 $aQuechua Indians$vFolklore 606 $aQuechua language$vTexts 606 $aQuechua textile fabrics 606 $aFoxes$vFolklore 606 $aTales$zAndes Region 606 $aErotic stories$xSocial aspects$zAndes Region 615 0$aQuechua Indians 615 0$aQuechua language 615 0$aQuechua textile fabrics. 615 0$aFoxes 615 0$aTales 615 0$aErotic stories$xSocial aspects 676 $a398.2098 700 $aAllen$b Catherine J$01475497 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781648403321 996 $aFoxboy$93689709 997 $aUNINA LEADER 03972nam 2200985 450 001 9910823855403321 005 20230126212012.0 010 $a0-520-95778-4 024 7 $a10.1525/9780520957787 035 $a(CKB)3710000000113944 035 $a(EBL)1691118 035 $a(SSID)ssj0001193885 035 $a(PQKBManifestationID)11704651 035 $a(PQKBTitleCode)TC0001193885 035 $a(PQKBWorkID)11147665 035 $a(PQKB)11738312 035 $a(MiAaPQ)EBC1691118 035 $a(OCoLC)966869124 035 $a(MdBmJHUP)muse52276 035 $a(DE-B1597)521100 035 $a(OCoLC)880409123 035 $a(DE-B1597)9780520957787 035 $a(Au-PeEL)EBL1691118 035 $a(CaPaEBR)ebr10875021 035 $a(CaONFJC)MIL611486 035 $a(EXLCZ)993710000000113944 100 $a20140609h20142014 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aDistant strangers $ehow Britain became modern /$fJames Vernon 210 1$aBerkeley, California :$cUniversity of California Press,$d2014. 210 4$d©2014 215 $a1 online resource (185 p.) 225 1 $aBerkeley Series in British Studies ;$v9 300 $aIncludes index. 311 $a0-520-28204-3 311 $a0-520-28203-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tList of Figures --$tPreface --$t1. What Is Modernity? --$t2. A Society of Strangers --$t3. Governing Strangers --$t4. Associating with Strangers --$t5. An Economy of Strangers --$tConclusion --$tNotes --$tIndex 330 $aWhat does it mean to live in the modern world? How different is that world from those that preceded it, and when did we become modern? In Distant Strangers, James Vernon argues that the world was made modern not by revolution, industrialization, or the Enlightenment. Instead, he shows how in Britain, a place long held to be the crucible of modernity, a new and distinctly modern social condition emerged by the middle of the nineteenth century. Rapid and sustained population growth, combined with increasing mobility of people over greater distances and concentrations of people in cities, created a society of strangers. Vernon explores how individuals in modern societies adapted to live among strangers by forging more abstract and anonymous economic, social, and political relations, as well as by reanimating the local and the personal. 410 0$aBerkeley series in British studies ;$v9. 606 $aSocial change$zGreat Britain$xHistory 606 $aCivilization, Modern 606 $aCivilization, Modern$xBritish influences 607 $aGreat Britain$xCivilization 610 $a19th century britain. 610 $a19th century history. 610 $aberkeley series in british studies. 610 $abritish studies. 610 $aconcentrated population. 610 $acultural studies. 610 $aeconomic relations. 610 $aeuropean history. 610 $agreat britain. 610 $ahistorians. 610 $ahistorical. 610 $aincreased mobility. 610 $aliving among strangers. 610 $amodern social condition. 610 $amodern world. 610 $amodernity. 610 $amodernization. 610 $apolitical. 610 $apopulation growth. 610 $aqueen victoria. 610 $asocial. 610 $astrangers. 610 $athe charismatic state. 610 $aurbanization. 610 $avictorian period. 615 0$aSocial change$xHistory. 615 0$aCivilization, Modern. 615 0$aCivilization, Modern$xBritish influences. 676 $a941 700 $aVernon$b James$f1965-$01690785 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910823855403321 996 $aDistant strangers$94066710 997 $aUNINA