LEADER 02298nam 2200553 a 450 001 9910781601903321 005 20230725051455.0 010 $a0-8156-5138-4 035 $a(CKB)2550000000051367 035 $a(OCoLC)759158732 035 $a(CaPaEBR)ebrary10493596 035 $a(SSID)ssj0000537948 035 $a(PQKBManifestationID)11364945 035 $a(PQKBTitleCode)TC0000537948 035 $a(PQKBWorkID)10567432 035 $a(PQKB)11598982 035 $a(MiAaPQ)EBC3410031 035 $a(MdBmJHUP)muse3676 035 $a(Au-PeEL)EBL3410031 035 $a(CaPaEBR)ebr10493596 035 $a(CaONFJC)MIL945719 035 $a(EXLCZ)992550000000051367 100 $a20100303d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aInside the TV writer's room$b[electronic resource] $epractical advice for succeeding in television /$fedited by Lawrence Meyers 205 $a1st ed. 210 $aSyracuse, N.Y. $cSyracuse University Press$d2010 215 $a1 online resource (213 p.) 225 1 $aTelevision and popular culture 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8156-3241-X 320 $aIncludes bibliographical references and index. 327 $aHow to break in; or, Why it's all so random -- How to be a TV staff writer; or, Why there is no I in team -- How to make your writing personal; or, Why you must take the "me" out of it -- How to be a better writer; or, Why that college degree matters -- How to find your voice; or, Why theme is important -- How to embrace or ignore your past; or, Why you must say yes -- How to start writing; or, Why writer's block is bunk -- How to really write a teleplay; or, Why it's about process, not product -- How to run a show; or, Why you should be careful what you wish for -- Case study : Tim Kring and Heroes. 410 0$aTelevision and popular culture. 606 $aTelevision authorship 615 0$aTelevision authorship. 676 $a808/.066791 701 $aMeyers$b Lawrence$01517555 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781601903321 996 $aInside the TV writer's room$93754698 997 $aUNINA