LEADER 05647nam 2200745Ia 450 001 9910781578503321 005 20200520144314.0 010 $a0-292-73497-2 024 7 $a10.7560/726321 035 $a(CKB)2550000000065089 035 $a(EBL)3443568 035 $a(SSID)ssj0000533968 035 $a(PQKBManifestationID)11965698 035 $a(PQKBTitleCode)TC0000533968 035 $a(PQKBWorkID)10493406 035 $a(PQKB)11419422 035 $a(MiAaPQ)EBC3443568 035 $a(OCoLC)864844470 035 $a(MdBmJHUP)muse589 035 $a(Au-PeEL)EBL3443568 035 $a(CaPaEBR)ebr10512324 035 $a(OCoLC)760886424 035 $a(DE-B1597)587890 035 $a(OCoLC)1280943250 035 $a(DE-B1597)9780292734975 035 $a(EXLCZ)992550000000065089 100 $a20110316d2011 ub 0 101 0 $aeng 135 $aurcna---u|||| 181 $ctxt 182 $cc 183 $acr 200 00$aAnalyzing world fiction$b[electronic resource] $enew horizons in narrative theory /$fedited by Frederick Luis Aldama 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$d2011 215 $a1 online resource (328 p.) 225 1 $aCognitive approaches to literature and culture series 300 $aDescription based upon print version of record. 311 $a0-292-72632-5 320 $aIncludes bibliographical references, filmography and index. 327 $a""Table of Contents""; ""How to Use This Book""; ""PART I. VOICE""; ""CHAPTER 1. U.S. Ethnic and Postcolonial Fiction: Toward a Poetics of Collective Narratives (Brian Richardson)""; ""CHAPTER 2. Language Peculiarities and Challenges to Universal Narrative Poetics (Dan Shen)""; ""CHAPTER 3. Reading Narratologically: Azouz Begag's Le Gone du Chaa?ba (Gerald Prince)""; ""CHAPTER 4. Jasmine Reconsidered: Narrative Structure and Multicultural Subjectivity (Robyn Warhol)"" 327 $a""CHAPTER 5. Voice, Politics, and Judgments in Their Eyes Were Watching God: The Initiation, the Launch, and the Debate about the Narration (James Phelan)""""CHAPTER 6. Narrating Multiculturalism in British Media: Voice and Cultural Identity in Television Documentary and Comedy (Hilary P. Dannenberg)""; ""PART II. EMOTION""; ""CHAPTER 7. Anger, Temporality, and the Politics of Reading The Woman Warrior (Sue J. Kim)""; ""CHAPTER 8. Agency and Emotion: R. K. Narayan's The Guide (Lalita Pandit Hogan)"" 327 $a""CHAPTER 9. The Narrativization of National Metaphors in Indian Cinema (Patrick Colm Hogan)""""CHAPTER 10. Fear and Action: A Cognitive Approach to Teaching Children of Men (Arturo J. Aldama)""; ""PART III. COMPARISONS AND CONTRASTS""; ""CHAPTER 11. The Postmodern Continuum of Canon and Kitsch: Narrative and Semiotic Strategies of Chicana High Culture and Chica Lit (Ellen McCracken)""; ""CHAPTER 12. Initiating Dialogue: Narrative Beginnings in Multicultural Narratives (Catherine Romagnolo)""; ""CHAPTER 13. "It's Badly Done": Redefining Craft in America Is in the Heart (Sue-im Lee)"" 327 $a""CHAPTER 14. Nobody Knows: Invisible Man and John Okada's No-No Boy (Josephine Nock-hee Park)""""CHAPTER 15. Intertextuality, Translation, and Postcolonial Misrecognition in Aime? Ce?saire (Paul Breslin)""; ""AFTERWORD. How This Book Reads You: Looking beyond Analyzing World Fiction: New Horizons in Narrative Theory (William Anthony Nericcio)""; ""Works Cited and Filmography""; ""Contributor Notes""; ""Index"" 330 $aWhy are many readers drawn to stories that texture ethnic experiences and identities other than their own? How do authors such as Salman Rushdie and Maxine Hong Kingston, or filmmakers in Bollywood or Mexico City produce complex fiction that satisfies audiences worldwide? In Analyzing World Fiction, fifteen renowned luminaries use tools of narratology and insights from cognitive science and neurobiology to provide answers to these questions and more. With essays ranging from James Phelan's "Voice, Politics, and Judgments in Their Eyes Were Watching God" and Hilary Dannenberg's "Narrating Multiculturalism in British Media: Voice and Cultural Identity in Television" to Ellen McCracken's exploration of paratextual strategies in Chicana literature, this expansive collection turns the tide on approaches to postcolonial and multicultural phenomena that tend to compress author and narrator, text and real life. Striving to celebrate the art of fiction, the voices in this anthology explore the "ingredients" that make for powerful, universally intriguing, deeply human story-weaving. Systematically synthesizing the tools of narrative theory along with findings from the brain sciences to analyze multicultural and postcolonial film, literature, and television, the contributors pioneer new techniques for appreciating all facets of the wonder of storytelling. 410 0$aCognitive approaches to literature and culture series. 606 $aDiscourse analysis, Narrative 606 $aFiction$xHistory and criticism 606 $aMotion pictures and literature 606 $aNarration (Rhetoric) 606 $aPostcolonialism and the arts 615 0$aDiscourse analysis, Narrative. 615 0$aFiction$xHistory and criticism. 615 0$aMotion pictures and literature. 615 0$aNarration (Rhetoric) 615 0$aPostcolonialism and the arts. 676 $a809.6923 701 $aAldama$b Frederick Luis$f1969-$0855054 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781578503321 996 $aAnalyzing world fiction$93828860 997 $aUNINA