LEADER 04115nam 2200601Ia 450 001 9910781563803321 005 20230421050650.0 010 $a0-8195-7181-4 035 $a(CKB)2550000000067251 035 $a(EBL)776796 035 $a(OCoLC)767498481 035 $a(SSID)ssj0000643178 035 $a(PQKBManifestationID)11407396 035 $a(PQKBTitleCode)TC0000643178 035 $a(PQKBWorkID)10652724 035 $a(PQKB)10317995 035 $a(MiAaPQ)EBC776796 035 $a(OCoLC)820831016 035 $a(MdBmJHUP)muse9850 035 $a(Au-PeEL)EBL776796 035 $a(CaPaEBR)ebr10607263 035 $a(EXLCZ)992550000000067251 100 $a19930423d1994 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWriting dancing in the age of postmodernism /$fSally Banes 210 $a[Middletown, Conn.] $cWesleyan University Press ;$aHanover $cUniversity Press of New England$dc1994 215 $a1 online resource (xv, 412 pages) $cillustrations 300 $aDescription based upon print version of record. 311 $a0-8195-6268-8 311 $a0-8195-5266-6 320 $aIncludes bibliographical references (p. 353-385) and index. 327 $aCover; Writing Doncing in the Age of Posfmodernism; Title; Copyright; Dedication; Contents; Introduction; I. Writing Criticism / History; I. Jill Johnston: Signaling Through the Flames; 2. Working and Dancing: A Response to Monroe Beardsley's ""What Is Going on in a Dance?"" (with Noe?l Carroll); 3. Criticism as Ethnography; 4. On Your Fingertips: Writing Dance Criticism; 5. Power and the Dancing Body; II. The Euro-American Avant-Garde; 6. Balanchine and Black Dance; 7. An Introduction to the Ballets Sue?dois; 8. Soire?e de Paris; 9. Kasyan Goleizovsky's Ballet Manifestos 327 $a10. Merce Cunningham's Story11. Cunningham and Duchamp (with Noe?l Carroll); III. The African-Ameritan Connection; 12. To the Beat, Y'AII: Breaking Is Hard to Do; 13. Breakdancing: A Reporter's Story; 14. Lock Steady; 15. Critic's Choice: Breakdancing; 16. Breaking; 17. A House Is Not a Home; 18. Breaking Changing; 19. The Pleasin' in Teasin'; 20. The Moscow Charleston: Black Jazz Dancers in the Soviet Union; IV. Other Subversions: Politics and Popular Dance; 21. Stepping High: Fred Astaire's Drunk Dances; 22. The Men at John Allen's Dance House 327 $a23. Red Shoes: The Workers' Dance League of the 1930's V. Postmodern Dance: From the Sixties to the Nineties; 24. Judson Rides Again!; 25. Choreographic Methods of the Judson Dance Theater; 26. Vital Signs: Steve Paxton's Flat in Perspective; 27. Meredith Monk and the Making of Chacon: Notes from a Journal; 28. Dancing on the Edge; 29. ""Drive,"" She Said: The Dance of Molissa Fenley; 30. Self-Rising Choreography; 31. Transparent Living; 32. No More Ordinary Bodies; 33. Happily Ever After? The Postmodern Fairytale and the New Dance; 34. Pointe of Departure 327 $a35. Classical Brinksmanship: Karole Armitage and Michael Clark 36. Terpsichore in Sneakers, High Heels, Jazz Shoes, and On Pointe: Postmodern Dance Revisited; 37. Dancing [with/to/before/on/in/over/after/against/away from/without] the Music: Vicissitudes of Collaboration in American Postmodern Choreography; 38. La Onda Pro?xima: Nueva Latina Dance; 39. Dance and Spectacle in the United States in the Eighties and Nineties (with Noe?l Carroll); 40. Dancing in Leaner Times; 41. Going Solo; Notes; Index 330 $aA leading critic traces three decades of contemporary dance from Balanchine to breakdancing 606 $aBallet$zUnited States$xHistory$y20th century 606 $aDance$zUnited States$xHistory$y20th century 615 0$aBallet$xHistory 615 0$aDance$xHistory 676 $a792.8/0973 700 $aBanes$b Sally$0528280 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781563803321 996 $aWriting dancing in the age of postmodernism$93719661 997 $aUNINA