LEADER 03895nam 2200661 a 450 001 9910781556203321 005 20200520144314.0 010 $a9786613366269 010 $a1-283-36626-6 010 $a94-012-0695-3 024 7 $a10.1163/9789401206952 035 $a(CKB)2550000000073982 035 $a(EBL)819917 035 $a(OCoLC)768083027 035 $a(SSID)ssj0000645231 035 $a(PQKBManifestationID)12259776 035 $a(PQKBTitleCode)TC0000645231 035 $a(PQKBWorkID)10681749 035 $a(PQKB)10874857 035 $a(MiAaPQ)EBC819917 035 $a(OCoLC)764302492$z(OCoLC)780291841 035 $a(nllekb)BRILL9789401206952 035 $a(Au-PeEL)EBL819917 035 $a(CaPaEBR)ebr10519665 035 $a(CaONFJC)MIL336626 035 $a(PPN)193035251 035 $a(EXLCZ)992550000000073982 100 $a20120104d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCommon places$b[electronic resource] $ethe poetics of African Atlantic postromantics /$fSeanna Sumalee Oakley 210 $aAmsterdam $cRodopi$d2011 215 $a1 online resource (320 p.) 225 1 $aTextxet 300 $aDescription based upon print version of record. 311 $a90-420-3408-4 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- OUT OF THE ABYSS: COMMONPLACES OF REPETITION AND REDEMPTION -- GLISSANT?S COMMON PLACES -- WALCOTT?S ALLEGORY OF HISTORY -- A BACKWARD FAITH IN WALCOTT?S ?THE SCHOONER FLIGHT? -- CLAUDIA RANKINE: JANE EYRE?S BLUES AT THE END OF THE ALPHABET -- DEAR DIARY: AMANIFESTO ? WEREWERE LIKING?S ELLE SERA DE JASPE ET DE CORAIL -- RITUALIZING UTOPIA IN ELLE SERA DE JASPE ET DE CORAIL -- MASKS OF AFFLICTION IN FRANKÉTIENNE?S HAITI -- FRANKÉTIENNE?S LOGORRHEA: AN EXCESS OF SEEMING -- ?THE HORIZON DEVOURS MY VOICE?: NOTES ON TRANSLATION -- BIBLIOGRAPHY -- INDEX. 330 $aWhile a great deal of postcolonial criticism has examined how the processes of hybridity, mestizaje, creolization, and syncretism impact African diasporic literature, Oakley employs the heuristic of the ?commonplace? to recast our sense of the politics of such literature. Her analysis of commonplace poetics reveals that postcolonial poetic and political moods and aspirations are far more complex than has been admitted. African Atlantic writers summon the utopian potential of Romanticism, which had been stricken by Anglo-European exclusiveness and racial entitlement, and project it as an attainable, differentially common future. Putting poets Frankétienne (Haiti), Werewere Liking (Côte d?Ivoire), Derek Walcott (St Lucia), and Claudia Rankine (Jamaica) in dialogue with Romantic poets and theorists, as well as with the more recent thinkers Édouard Glissant, Walter Benjamin, and Emmanuel Levinas, Oakley shows how African Atlantic poets formally revive Romantic forms, ranging from the social utopian manifesto to the počte maudit , in their pursuit of a redemptive allegory of African Atlantic experiences. Common Places addresses issues in African and Caribbean literary studies, Romanticism, poetics, rhetorical theory, comparative literature, and translation theory, and further, models a postcolonial critique in the aesthetic-ethical and ?new aestheticist? vein. 410 0$aText (Rodopi (Firm)) 606 $aPoetics 606 $aAuthors, African 606 $aPostcolonialism in literature 615 0$aPoetics. 615 0$aAuthors, African. 615 0$aPostcolonialism in literature. 676 $a909.83 700 $aOakley$b Seanna Sumalee$01538560 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781556203321 996 $aCommon places$93788644 997 $aUNINA