LEADER 03899nam 2200625 a 450 001 9910781551103321 005 20200520144314.0 010 $a1-283-36618-5 010 $a9786613366184 010 $a90-04-22651-6 024 7 $a10.1163/9789004226517 035 $a(CKB)2550000000074082 035 $a(EBL)1010603 035 $a(OCoLC)773879140 035 $a(SSID)ssj0000555745 035 $a(PQKBManifestationID)11359272 035 $a(PQKBTitleCode)TC0000555745 035 $a(PQKBWorkID)10519463 035 $a(PQKB)10219847 035 $a(MiAaPQ)EBC1010603 035 $a(nllekb)BRILL9789004226517 035 $a(Au-PeEL)EBL1010603 035 $a(CaPaEBR)ebr10518817 035 $a(CaONFJC)MIL336618 035 $a(PPN)174394934 035 $a(EXLCZ)992550000000074082 100 $a20110901d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 02$aA wider Trecento$b[electronic resource] $estudies in 13th- and 14th-century European art presented to Julian Gardner /$fedited by Louise Bourdua, Robert Gibbs 210 $aLeiden ;$aBoston $cBrill$d2012 215 $a1 online resource (248 p.) 225 1 $aVisualising the Middle Ages,$x1874-0448 ;$vv. 5 300 $aDescription based upon print version of record. 311 $a90-04-21076-8 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material /$rLouise Bourdua and Robert Gibbs -- $tIntroduction /$rLouise Bourdua and Robert Gibbs -- $tSignifying Absence: /$rJill Bain -- $tA Possible Colonna Family Stemma in the Church of Santa Prassede, Rome /$rJohn Osborne -- $tSmall Worlds: /$rDillian Gordon -- $tDuccio and Devotion to the Virgin?s Foot in Early Sienese Painting /$rJoanna Cannon -- $tA Royal Gift from Paris to Assisi: /$rVirginia Glenn -- $tThe Original Setting and Historical Context of the Fourteenth-Century ?Anthropomorphic Trinity? of the Museo di Roma at Palazzo Braschi /$rClaudia Bolgia -- $tPatronising Poverty: /$rJill Farquhar -- $tCelebrating the Scholar and Teacher: /$rMartina Schilling -- $tBartolomeo and Jacopino da Reggio?s Brera Triptych: /$rRoberto Cobianchi -- $tThe Look of Love /$rAnne Dunlop -- $tBologna and the Popes: /$rRobert Gibbs -- $tSome Pilgrimage Sources for Altichiero /$rLouise Bourdua -- $tIndex /$rLouise Bourdua and Robert Gibbs. 330 $aJulian Gardner?s preeminent role in British studies of the art of the 13th and 14th centuries, particularly the interaction of papal and theological issues with its production and on either side of the Alps, is celebrated in these studies by his pupils. They discuss Roman works: a Colonna badge in S. Prassede and a remarkably uniform Trinity fresco fragment, as well as monochrome dado painting up to Giotto, Duccio's representations of proskynesis, a Parisian reliquary in Assisi, Riminese painting for the Franciscans, the tomb of a theologian in Vercelli, Bartolomeo and Jacopino da Reggio, the Room of Love at Sabbionara, the cult of Urban V in Bologna after 1376, Altichiero and the cult of St James in Padua, the orb of the Wilton Diptych, and Julian Gardner?s career itself. The contributors to the volume are Serena Romano, Jill Bain, Claudia Bolgia, Louise Bourdua, Joanna Cannon, Roberto Cobianchi, Anne Dunlop, Jill Farquhar, Robert Gibbs, Virginia Glenn, Dillian Gordon, John Osborne and Martina Schilling. 410 0$aVisualising the Middle Ages ;$vv. 5. 606 $aArt, European$y14th century 615 0$aArt, European 676 $a709.02/3 701 $aGardner$b Julian$0241617 701 $aBourdua$b Louise$f1962-$0516334 701 $aGibbs$b Robert$0158793 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781551103321 996 $aA wider Trecento$93788598 997 $aUNINA