LEADER 05625nam 2200697 a 450 001 9910781504503321 005 20230307001904.0 010 $a1-283-39943-1 010 $a9786613399434 010 $a3-11-023786-5 024 7 $a10.1515/9783110237863 035 $a(CKB)2550000000041734 035 $a(EBL)736998 035 $a(OCoLC)743693620 035 $a(SSID)ssj0000540060 035 $a(PQKBManifestationID)12177601 035 $a(PQKBTitleCode)TC0000540060 035 $a(PQKBWorkID)10581574 035 $a(PQKB)10630434 035 $a(MiAaPQ)EBC736998 035 $a(DE-B1597)122931 035 $a(OCoLC)747413876 035 $a(OCoLC)747535517 035 $a(OCoLC)979583872 035 $a(DE-B1597)9783110237863 035 $a(Au-PeEL)EBL736998 035 $a(CaPaEBR)ebr10485475 035 $a(CaONFJC)MIL339943 035 $a(OCoLC-P)747413876 035 $a(CaSebORM)9783110237863 035 $a(EXLCZ)992550000000041734 100 $a20110331d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aPictorial cultures and political iconographies$b[electronic resource] $eapproaches, perspectives, case studies from Europe and America /$fedited by Udo J. Hebel, Christoph Wagner 210 $aBerlin ;$aNew York $cWalter de Gruyter$dc2011 215 $a1 online resource (448 p.) 300 $aDescription based upon print version of record. 311 $a3-11-023785-7 320 $aIncludes bibliographical references and index. 327 $tFrontmatter --$tContents --$tIntroduction /$rHEBEL, UDO J. / WAGNER, CHRISTOPH --$tWhy Is There No Political Science of the Arts? /$rBEYME, KLAUS VON --$tRubens's Pictorial Peacekeeping Force: Negotiating through 'Visual Speech-Acts /$rHEINEN, ULRICH --$tPolitical Iconography and the Picture Act: The Execution of Charles I in 1649 /$rSCHNEIDER, PABLO --$t"The Conqueror of Canada" - Benjamin West and the Heroes of Sentimentalism /$rJEHLE, OLIVER --$tNationalism and Truth in Grant Wood's /$rFable, Parson Weems' --$tMasculinity, Sexuality, and the German Nation: The Eulenburg Scandals and Kaiser Wilhelm II in Political Cartoons /$rBRUNS, CLAUDIA --$tBauhaus, the Radio, and the Colors of Fascism /$rWAGNER, CHRISTOPH --$tAdolf Hitler's (Self-)Fashioning as a Genius: The Visual Politics of National Socialism's Cult of Genius /$rPYTA, WOLFRAM --$tThe Grammar of Postrevolutionary Visual Politics: Comparing Presidential Stances of George Washington and Friedrich Ebert /$rDEPKAT, VOLKER --$tMaking the Invisible Visible: The Public Persona of Malcolm X /$rGILL, LISA M. --$tThe New Face of American Anger: Internet Imagery and the Power of Contagious Feeling /$rORVELL, MILES --$tPhotographing American Indians: An Imaginary Exhibition /$rGIDLEY, MICK --$tThe "Other" Country in the City: Urban Space and the Politics of Visibility in American Social Documentary Photography /$rSCHMIDT, KERSTIN --$tTaming the Teeming Masses: Visualizing Order at Ellis Island /$rSZLEZÁK, KLARA STEPHANIE --$tReplacing the President: Cecil Stoughton's "Lyndon B. Johnson Taking the Oath of Office" and the Iconography of U.S. American Presidential Inaugurations /$rHEBEL, UDO J. --$tSouvenirs from the Landscapes of Modernity: Richard Misrach, Camilo Vergara, and the Visual Politics of Ruin /$rSANDEEN, ERIC J. --$tThe Trouble with Atrocity Photography in Gerhard Richter, Robert Morris and Alfredo Jaar, or, Art on the Brink of Failure /$rBRÜCKLE, WOLFGANG --$tMust-See Sights: The Politics of Representing U.S.-American History /$rGESSNER, INGRID --$tBody, Building, City, and Environment: Iconography in the Mexican Megalopolis /$rKRIEGER, PETER --$tAesthetics and Political Iconography of Money /$rGOTTFRIED, GABRIEL --$tNotes on Contributors --$tIndex --$tBackmatter 330 $aThe pictorial turn in the humanities and social sciences has foregrounded the political power of images and the extent to which historical, political, social, and cultural processes and practices are shaped visually. Political iconographies are taken to interpret norms of actions, support ideological formations, and enhance moral concepts. Visual rhetorics are understood as active players in the construction and contestation of the political realm and public space. The twenty-one articles by scholars from Europe and the United States explore the political function and cultural impact of images from the perspectives of Art History, American Studies, Visual Culture Studies, History, and Political Science. The contributions in particular address the complex interplay between agent and addressee in the public space as well as issues of national identity, discourses of inclusion and exclusion, and the designation of political spaces within transnational contexts. The publication is part of the interdisciplinary research initiative "Perceiving and Understanding: Functions, Perception Processes, Forms of Visualizations, Cultural Strategies of Pictures and Texts" at the University of Regensburg. 606 $aArt$xPolitical aspects 606 $aArt and society 610 $aPolitical Iconography, American Studies. 615 0$aArt$xPolitical aspects. 615 0$aArt and society. 676 $a700.1/03 686 $aEC 2450$2rvk 701 $aHebel$b Udo J$01547686 701 $aWagner$b Christoph$f1964 June 15-$01572400 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781504503321 996 $aPictorial cultures and political iconographies$93847316 997 $aUNINA