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100   $a20110926d2012      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aHorace's iambic criticism$b[electronic resource] $ecasting blame (iambike? poie?sis) /$fby Timothy S. Johnson
210   $aLeiden ;$aBoston $cBrill$dc2012
215   $a1 online resource (328 p.)
225 1 $aMnemosyne. Supplements,$x0169-8958 ;$vv. 334
300   $aDescription based upon print version of record.
311   $a90-04-21523-9 
320   $aIncludes bibliographical references and index.
327   $aPreliminary Material -- A Personal Introduction -- Chapter ?. Non Res Et Agentia Verba Lycamben: On Not Hunting Down Lykambes -- Chapter 2. Society, Iambic Rage, and Self-Destruction (Epodes 1?7) -- Chapter ?. Rage?Repression?Rage: Iambic Responsions (Epodes ????) -- Chapter 4. Horace?s Lying Lyre (Epodes 16?17) -- Chapter 5. Horace?s Iambic to Lyric Re/cantation (C. I.1; 5; 13?17) -- Chapter ?. Critical Pluralities: Iambik? Poi?sis in the Start and Stop of the Ars Poetica -- An Iambic Post-Lude -- Works Cited -- Subject Index -- IndexNominum.
330   $aTo date the positive value of Horace?s iambic criticism has been underestimated, and overall Horace has been tamed too much. By examining the relationship of the iambic tradition with ritual, this book studies how Horace?s Epodes are more than partisan (consolidating Octavian?s victory by projecting hostilities onto powerless others) but meta-partisan (forming fractured entities into a diversified unity). As Horace moves through his iambics to lyrics ( Epodes to Odes ), he stages acts of aggression and retaliation along with attempts at resistance and reconciliation so that this shifting back and forth creates a correspondence between perspectives. Unity develops from diversity, polyeideia . This is the point at which Horace socializes literary criticism ( Ars Poetica ): societas becomes the telos of his poetics.
410  0$aMnemosyne, bibliotheca classica Batava.$pSupplementum ;$vv. 334.
606   $aIambic pentameter
615  0$aIambic pentameter.
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700   $aJohnson$b Timothy S$0623110
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906   $aBOOK
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996   $aHorace's iambic criticism$92717909
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