LEADER 02514oam 2200649I 450 001 9910781382803321 005 20230808210933.0 010 $a1-4094-7891-2 010 $a1-317-18028-3 010 $a1-315-56735-0 010 $a1-317-18027-5 010 $a1-283-11554-9 010 $a9786613115546 010 $a1-4094-2335-2 024 7 $a10.4324/9781315567358 035 $a(CKB)2550000000033275 035 $a(EBL)688659 035 $a(OCoLC)729166596 035 $a(SSID)ssj0000542988 035 $a(PQKBManifestationID)12206147 035 $a(PQKBTitleCode)TC0000542988 035 $a(PQKBWorkID)10530949 035 $a(PQKB)11786083 035 $a(MiAaPQ)EBC688659 035 $a(MiAaPQ)EBC4513300 035 $a(Au-PeEL)EBL4513300 035 $a(CaPaEBR)ebr11506834 035 $a(OCoLC)1022779181 035 $a(OCoLC)950471528 035 $a(EXLCZ)992550000000033275 100 $a20180706e20162011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAnxiety and evil in the writings of Patricia Highsmith /$fFiona Peters 210 1$aLondon ;$aNew York :$cRoutledge,$d2016. 215 $a1 online resource (215 p.) 300 $a"First published 2011 by Ashgate Publishing"--t.p. verso. 311 $a1-4094-2334-4 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Acknowledgements; Introduction; 1 In the Waiting Room; 2 In Exile; 3 Tom Ripley: The Sinthome Writes Back; Bibliography; Index 330 $aDrawing extensively on the under-explored Highsmith Archive, Peters suggests that the usual generic distinctions-crime fiction, mystery, suspense-have been largely unhelpful in elucidating Patricia Highsmith's novels. Peters adopts a psychoanalytic approach to show that specific disturbances within her text have resulted in Highsmith's writing remaining resistant to explication and to the more sophisticated interpretative strategies that would seek to position her within a specific genre. 606 $aAnxiety in literature 606 $aGood and evil in literature 615 0$aAnxiety in literature. 615 0$aGood and evil in literature. 676 $a813.54 700 $aPeters$b Fiona.$0962726 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781382803321 996 $aAnxiety and evil in the writings of Patricia Highsmith$93671318 997 $aUNINA